Master Class: Chapter 1

Welcome to the 5th edition of The Pulse -- The State of the Art -- a survey in words and pictures of the online artist community. The Pulse is a collaborative project that aims to introduce you to new artists, help you get to know familiar faces even more, and allow you access into the creative hearts and minds of a very talented crew of individuals. More than 130 artists have answered a series of questions which make up The Pulse. Their responses will be presented in a series of online posts which will run every Sunday.
Style File and Techniques & Tools were the first two projects posted and links to all 23 posts can be found on the sidebar of my blog. The third project, Master Class, starts now...

Participants were asked : 'If you could take a class from one artist from anytime in history, including the present, who would it be and why?'
(Images and links have been added by The Altered Page)
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Chapter 1: Women in the Arts
The only thing I know is that I paint because I need to...Frida Kahlo

Jacqueline Auvigne sums this chapter up very well by 'breaking the rules' and listing 7 artists, all women. Jacqueline says "My short list includes all women who fearlessly live out their potential in most authentic ways. Making art as a women has never been for the faint of heart. These women have all been balls to wall kinda gals - while being true to themselves and their convictions, art and otherwise. The list includes but isn't limited to (yes it was a much longer list!) Georgia O'Keefe, Louise Bourgeois, Frida Kahlo, Carolee Schneemann, Kiki Smith, Yoko Ono and Coco Chanel."
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Bonnie Clark would also like to study with Kiki Smith. Says Bonnie "I consider her to be one of the greatest feminist artists of our time.

Throughout her career, she's used her artwork to explore issues such as gender, sexuality, self, and the role of women in society through a diverse array of creative mediums including painting, sculpture, collage, and printmaking, as well as mediums often considered women's crafts such as embroidery and surface design.
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Georgia O'Keefe's workshop would be very full, with three of the participants listing her as their teacher of choice.

Wen Redmond gave several answers but listed O'Keefe as first. Stephanie Hilvitz would "love to hear her speak as to how she 'saw' her world and how she distilled it into such rich, simple color and shape. And Liz Hampton-Derivan admires "her work and her character. She is a major art icon. Thank you to Georgia for her female presence and significant status and contributions to the art world.
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Judi Sidonie Tillinger makes a great point when she says "Knowing too much about the personalities and personal lives of so many artists I esteem eliminates many from the running. I would most like to sit down with Agnes Martin, watch and listen.

The stillness and the immensity of her work moves me in ways I will never be able to understand much less articulate. Looking into her work is like confronting something absolute and perfect."

I am highlighting this piece from Agnes Martin that I saw at Sotheby's because while the style is clearly Martin's, her use of what appear to be nailheads makes this painting very unusual and unique.
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Diana Trout says that "if there is a heaven, I would watch Eva Hesse work. Her process is so present in her drawings, painting and sculptures. She was experimental and married minimalism and conceptual art in ways that excite me.

She brought humor and great sensitivity into her art - simultaneously. Dang good artmaking."
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Roseann Cazares "would love to have taken a class by Frida Kahlo. She is my favorite artist and has been a BIG influence on my own work.