On sonnet chains, mercy, and wisdom

In one of my former lives, I was professor of English and, toward the end of my career, dean of the faculty, at Marygrove College in Detroit. In 2012, a few years before I retired, I was invited to be a speaker at the baccalaureate ceremony for the graduating seniors—a kind of run-up to the Commencement Exercises that would happen in another few days. 


The catch was, my invitation was specific: my contribution would be to offer a reflection on a reading from the Gospel of Luke, which was to be the evening’s reading at the Catholic college’s mass for the graduates.


At first I thought it was a prank. My friends who had invited me couldn’t have picked a more inappropriate faculty member for the job. What could I—non-Christian, confirmed atheist, stubborn pusher-against of the institution’s core (and often more honored in the breach than the observance) religious values—possibly have to say about the Gospel of Luke?


When I realized my friends were serious, I started to take the request more seriously. The more I thought about it—and read and thought about the section of Luke that formed the evening’s reading—the more I warmed to the idea. 


I decided to accept the invitation. I thought it might be a way to invite the students to take a brief look backward at their education, and forward to the rest of their lives. My challenge would be to walk the line between meditating on the spirit of the Gospel to an audience of true believers without violating my personal beliefs—or more properly, lack of beliefs. 


In one of those creative decisions that seemed to come from nowhere, I crafted my reflection in the form of a sonnet chain (a collection of sonnets where the last line of one poem becomes the first line of the next). Today I’m not sure why I picked that form; I’m not even sure I could have said then. Maybe I thought it would be best to write an extended meditative poem in short hops.  


I was reminded of project when a good friend reminded me last week that the school’s 2019 Commencement had just taken place. I don’t do much with poetry anymore, but I thought posting the poems along with this introduction as this week’s blog would make an interesting entry. And maybe it would help get me back to thinking about poetry again.


Either way, it’s a look into a part of my writing background that was important at one time. Hope you enjoy it.


BTW, please check back this Thursday May 23rd, when I’ll host an interview with Joan H. Young, award-winning Michigan author of the essay collection North Country Cache and two mystery series, the Anastasia Raven cozy mysteries and a series for children.

 

 

The Day is Fulfilled: A Meditation on Luke

Dedicated to the 2012 graduating class at Marygrove College, Detroit


Outside the open window

The morning air is all awash with angels.

—Richard Wilbur, “Love Calls us to the Things of This World”


1

On the pavement by the side of the road

a man walks—no, not walks: staggers, stumbles,

does a slack jitter step down the sidewalk,

hops about to preserve his feet beneath him

(assuming there are feet somewhere inside

those laceless tatters that once were spanky brogans)

as rush-hour traffic thickens, occludes

near the corner of 8 Mile and Woodward

on an overcast weekday in May, warm,

windy, threatening rain, the sun a distant hint

behind a scrim of clouds, a promise, really, or

reminder. And as you idle at the stoplight

on your way to somewhere, late, your mind absent,

you see him halt, stand, and fix you in his gaze.


2

He halts, stands, and fixes you in his gaze

if gaze there is in eyes that squint, almost closed,

through the soupy blue haze of exhaust, seasoned

with the sweet scent of gasoline; he could be

blind for all you know, looking not at you

but in your direction, puffy-eyed, bruised,

his head a mass of greasy hair and tangled beard,

lanky frame monkish in a hooded coat

stiff with dirt and britches of a startling

cranberry hue, his shape narrow as a nail;

and don’t think I mistake this ragged man in such an

altered mental state for Jesus, though you may,

but I wouldn’t advise it because now

he’s fastened upon you, and here it comes—


3

He’s fastened upon you and here it comes—

“Yo, chief! Got something for me today?”

At least that’s what you think he says, words gleaned

from the sustained confusion of traffic,

the hiss of tires, the shriek of faulty brakes

behind you, as if you’ve often seen him

before, and maybe you have, and you think

about how much there is in this world,

and how little; how close we are, and how

impossibly far apart. And you think

you hear music, floating in the air, remote,

the roar of city buses, the thunder of trucks

unable to veil the strains of a tune

you can’t quite catch but you’re sure it’s there.


4

You can’t quite catch it but you’re sure it’s there—

and “Yo, chief!” he says again, and this time

you hear him plainly, this cumbersome twitchy

bird-man. And you start to believe that you do

have something for him: because all at once

you recognize that face, that snarled beard, that

in-your-face query; and you intuit

the heartbreak that brought him to this corner;

the despair that keeps him reeling down the sidewalk;

whatever illness it was that stripped the flesh

so fully from his spare lurching frame. Luke,

evangelist, patron saint of healers,

artists, students, tell us how we know him,

teach us what we owe him, this austere outcast.


5

Teach us what we owe him, this austere outcast.

Teach us how we know, what we owe each other.

Move the spirit upon us, finally, that

makes us love the least and most among us.

For we must love, we know this in our hearts.

Such is, surely, the central lesson mastered

from your rigorous years of study, which

we assemble here to celebrate today,

paused not at the end of your education,

but its beginning; for now are you primed

to learn to love the world in earnest, and spread

a gospel of your own of mercy and wisdom,

hope and liberation, your truths suffused with

that music whose soft melodies you hear.


6

That music whose soft melodies you hear—

gentle, distant, undulating on the wind—

now swells, crescendos. Listen: It is the air filled

with the rustling wings of angels wheeling

overhead in the dusk; it is the murmur

of departed spirits who swim through the sky

as they watch over us. It is the inspiration

which some call god, or Christ, or whatever

immense mystery we feel that impels us

past the insufficient sight lines of our world.

It is the bright summons of the sparrow

calling us to fulfill our days’ enduring duty

to bless the sacred weighty world beyond

the pavement by the side of the road.


copyright 2012 by Donald Levin

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Published on May 20, 2019 12:11
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