Queen of the Monsters

2019 is turning out to be a stellar year for film-related books. Among the most anticipated is THE LADY FROM THE BLACK LAGOON by first time author Mallory O'Meara (she's also a screenwriter, film producer, and host of a popular podcast). I've been a horror/monster film fanatic since I was about 5 years old (that'd be 1973), and naturally I read FAMOUS MONSTERS magazine since about the same time as well as any books I could get my hands on, and not once can I recall reading anything about Milicent Patrick, the woman this book is about. She designed the CREATURE FROM THE BLACK LAGOON, and wasn't credited for it. O'Meara heard about her and became fascinated. When I read the synopsis of this book, I did, too.
After an excellent introduction, the first two lengthy chapters are spent on Milicent's childhood and early years, and gets a bit too in-depth talking about her parents. I think these two chapters could've been condensed into a single chapter of about 8 pages, but once O'Meara lays this foundation, Chapter 3 begins to deliver the goods.

From her time as an animator at Disney (she worked on the coolest part of FANTASIA) to her time as part of the make up team at Universal, to her post-film freelance work, O'Meara digs deep and even managed to get in touch with Milicent's niece (the later chapters dealing with the author's visit to her home are very well told). The author has no problem letting us know she's a major fangirl, and at times this is both entertaining (a lot of her comments and footnotes are genuinely funny), but sometimes her are opinions about Milicent aren't documented, and a lot is supposition (her passion to defend her an innovator gets perhaps a bit too passionate). But, much of what's said is indeed documented, and regardless of the couple of things that aren't, the author did an incredible amount of research here, and tells her process of how the book came to be alongside unfolding Milicent's story itself.
THE LADY FROM THE BLACK LAGOON paints a picture of a woman way ahead of her time. An incredibly talented artist (she drew some amazing portraits alongside designing monsters) and a humble person even in the face of blatant sexism, she still had her issues just like any one of us (she wasn't as skilled at picking men as she was an artist, and later on dealt with some severe depression). Yet she had a strong work ethic, and in one of my favorite sections, went on a tour to promote CREATURE FROM THE BLACK LAGOON and appeared on many TV and radio shows, giving both herself and the film a huge publicity boost (and causing the head of the Universal make up department to become jealous, and, ultimately, end Milicent's career at Universal).
Aside from the first two chapters (and many footnotes which seemed aimed at junior high students), this is an addictive read, and not just for monster movie fans. It's an important look at sexism not only in Hollywood but in any profession, and it's a work where, hopefully, Milicent Patrick may become an inspiration to younger people, (the author herself should, too: she being inspired by Milicent's work led to this story being told, and you can feel her zeal for the subject on every page, even if it feels like she goes a bit overboard at times). For a first book, the author has done a fine job.
Fans of CREATURE FROM THE BLACK LAGOON do not want to miss this: it not only offers some great insights into the production of the classic film, it doubles as a strong feminist statement that's perfect for the #metoo generation.
On a side note: I've read every issue of FAMOUS MONSTERS from about 1974-5 until it's final issue in 1983, and O'Meara states there was a story about Milicent in a 1978 issue! Of course I was 10 at the time, but I'm now on a hunt to track this back issue down.

Grab a copy here: The Lady from the Black Lagoon
Published on April 27, 2019 16:57
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