Writer’s Desk: Go Deep and Go True, But Make it Good

Back in 2001, J. T. LeRoy was the literary world’s mysterious enfant terrible (The Heart is Deceitful Above All Things). That was not long before the transgressive little gutterpunk Bukowski facade was exposed in the most fascinating literary hoax since, well, just about ever. Before that happened, though, Vanity Fair had Tom Waits interview the person then calling …

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