Spent yesterday puttering around in the Paris section. That section is really missing something, but I don't know what it is yet. I'm hoping it'll come to me in a flash. I know it's something that will break up the pacing and rhythm of scene after scene of dialog, something heavier that makes a stronger point. Maybe something firmly grounded in scene--I dunno. It just feels too floaty right now.
The question is, since I'm a little bit at loose ends, should I print out and read through some of ...
Published on September 22, 2009 06:32