Review: Pathways
Pathways
by Camille Peters is a new series of fairy tale adaptations that is currently on sale for $0.99. I couldn't argue with that price, so I decided to check it out. The book is loosely based on "Rumpelstiltskin" and "The Princess and the Pea." It's different from the other fairy tale novels I've been reviewing in this blog because it lacks the suspense and adventure that they had and focuses entirely on romance. In fact, the story has no villain at all and very little conflict, making it a slow read. It seems like something that would be right my alley with my love of princesses and romance, but none of the characters were particularly appealing, especially the love interest. By the end of the book, I had absolutely no desire to see Eileen get together with Aiden.
Like many princess stories, the main character in Pathways starts out as a peasant girl. Eileen is a skilled artist, a lot like Elaine from Goldheart , another "Rumpelstiltskin" adaptation. However, Eileen feels more like an outdated Rodgers and Hammerstein heroine. She starts out by saying she will never fall in love and winds up doing just that. Back in the '50s, that used to be a traditional character arc for women, but today, princesses make it pretty clear whether or not they want to fall in love and stick to their decision, no matter how much other people try to convince them otherwise. Not only that, but for someone who is so mistrusting of men, Eileen lets Aiden get away with some pretty shady stuff. For instance, when he first meets her, he attempts to slice off a lock of her hair without permission, misses, and accidentally slices her neck. That's not creepy at all, right? It only gets worse as the book goes on, but Eileen continues to forgive him over and over in spite of her stubbornness about love.
Romance aside, the first half of the book is incredibly slow. Eileen spends most of her time in an enchanted forest that continuously morphs its paths akin to Pan's Labyrinth . Even though the forest is different every time she goes there, she feels safe within its trees and trusts them to always guide her home. The forest guides her to beautiful areas that she draws in her sketchbook. She thinks that she was the only one who knows its secrets until she meets Aiden. Her encounters with him in the forest go on for much longer than they should with absolutely nothing of interest happening in the story. Rosie, Eileen's best friend, tries to convince her that she is in love with Aiden even though she never actually sees them together. It starts to feel as though the story is forcing Eileen to fall in love with Aiden in spite of her own wishes.
The second half of the book is inspired by "The Princess and the Pea," but without the pea or the tower of mattresses. The forest leads Eileen to a castle where she is mistaken for a long-lost princess and must compete for the hand of the prince against her own will. She soon learns that Aiden lives in the castle as well, and the rest is painfully predictable. By this point, the lack of a villain really starts to hurt the story. I saw every plot twist from a mile away, and there were no obstacles between Eileen and her happy ending. In fact, Aiden felt more like a villain than any other character, including the mean-spirited princess. I was so angry with Aiden for his actions by the end of the story that I felt like he was entirely undeserving of Eileen.
Pathways is a forced love story and very little else. It doesn't work as a fairy tale adaption because it does absolutely nothing to enhance the fairy tales that inspired it. Eileen could have been a stronger heroine if she had stayed true to her word of never falling in love, but everything in the book seems to revolve around proving her wrong. Her relationship with her parents is more interesting than her relationship with Aiden, but it never gets explored, even she obsesses over her father's mysterious disappearance. I think I would have enjoyed it more if it had focused on Eileen learning the truth about her father instead of on a relationship that she never wanted in the first place.
Like many princess stories, the main character in Pathways starts out as a peasant girl. Eileen is a skilled artist, a lot like Elaine from Goldheart , another "Rumpelstiltskin" adaptation. However, Eileen feels more like an outdated Rodgers and Hammerstein heroine. She starts out by saying she will never fall in love and winds up doing just that. Back in the '50s, that used to be a traditional character arc for women, but today, princesses make it pretty clear whether or not they want to fall in love and stick to their decision, no matter how much other people try to convince them otherwise. Not only that, but for someone who is so mistrusting of men, Eileen lets Aiden get away with some pretty shady stuff. For instance, when he first meets her, he attempts to slice off a lock of her hair without permission, misses, and accidentally slices her neck. That's not creepy at all, right? It only gets worse as the book goes on, but Eileen continues to forgive him over and over in spite of her stubbornness about love.
Romance aside, the first half of the book is incredibly slow. Eileen spends most of her time in an enchanted forest that continuously morphs its paths akin to Pan's Labyrinth . Even though the forest is different every time she goes there, she feels safe within its trees and trusts them to always guide her home. The forest guides her to beautiful areas that she draws in her sketchbook. She thinks that she was the only one who knows its secrets until she meets Aiden. Her encounters with him in the forest go on for much longer than they should with absolutely nothing of interest happening in the story. Rosie, Eileen's best friend, tries to convince her that she is in love with Aiden even though she never actually sees them together. It starts to feel as though the story is forcing Eileen to fall in love with Aiden in spite of her own wishes.
The second half of the book is inspired by "The Princess and the Pea," but without the pea or the tower of mattresses. The forest leads Eileen to a castle where she is mistaken for a long-lost princess and must compete for the hand of the prince against her own will. She soon learns that Aiden lives in the castle as well, and the rest is painfully predictable. By this point, the lack of a villain really starts to hurt the story. I saw every plot twist from a mile away, and there were no obstacles between Eileen and her happy ending. In fact, Aiden felt more like a villain than any other character, including the mean-spirited princess. I was so angry with Aiden for his actions by the end of the story that I felt like he was entirely undeserving of Eileen.
Pathways is a forced love story and very little else. It doesn't work as a fairy tale adaption because it does absolutely nothing to enhance the fairy tales that inspired it. Eileen could have been a stronger heroine if she had stayed true to her word of never falling in love, but everything in the book seems to revolve around proving her wrong. Her relationship with her parents is more interesting than her relationship with Aiden, but it never gets explored, even she obsesses over her father's mysterious disappearance. I think I would have enjoyed it more if it had focused on Eileen learning the truth about her father instead of on a relationship that she never wanted in the first place.
Published on March 01, 2019 13:35
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