A difficult death scene to write

I hope all of my readers are coping with this endless winter (and summer, of course, Down Under.) A huge snow “event” in the Seattle region, too much rain in California, more icy weather in the Midwest, and a nasty storm battering the UK. Maybe it is time to run up the white flag and hope Mother Nature shows some mercy? Now on to historical happenings. I confess this particular post is not a new one, but it is over three years old, so I am hoping that you all have faulty memories like mine!

February 2nd was an important day on the medieval Church calendar—Candlemas. And this date resonated in several of my novels. February 2nd, 1141 was the battle of Lincoln, in which Stephen was defeated and taken prisoner by Robert, the Earl of Gloucester, on behalf of his sister, the Empress Maude. At the risk of seeming blood-thirsty, I like writing of battles and this was a good one, filled with high drama and suspense. February 2nd was also the date of an important Yorkist battle, at Mortimer’s Cross in 1461. Edward, who’d become Duke of York and head of his fractured family upon the death of his father at the battle of Wakefield barely a month ago, was trying to prevent Owen Tudor and reinforcements coming out of Wales from joining the Lancastrians, and he forced a battle not far from Wigmore. Even before the fighting began, he faced a challenge when a parhelion appeared in the sky, a phenomenon that made it look as if there were three suns overhead. Naturally this frightened his soldiers, but the quick-witted Edward cried out that the suns represented the Holy Trinity and was an omen of victory; he would later adopt this as his cognizance, the Sunne in Splendour. Having staved off disaster, he then proceeded to defeat the Lancastrians, captured Owen Tudor, and had him executed—not surprising, since the heads of his father and brother and uncle were even then on poles above Micklegate Bar in York. Edward then went on to receive a hero’s welcome by the city of London and shattered the Lancastrian hopes in a savage battle fought in a snowstorm at Towton on Palm Sunday. What is truly remarkable is that Edward was not yet nineteen years old.

I thought of Edward’s parhelion when I was reading a chronicler’s account of the building of Richard I’s beloved “saucy castle, “ Chateau Gaillard. I was familiar with the exchange between the kings over Chateau Gaillard. Philippe, fuming at seeing this formidable stronghold rising up on the Vexin border, vowed that he would take it if its walls were made of steel. When he was told this, Richard laughed and said he’d hold it if its walls were made of butter. But there is another story about Gaillard not as well known. In the spring of 1198, Richard was personally supervising the construction, as he often did, when a shower of blood suddenly fell from the skies. Naturally, this freaked out everyone—everyone but Richard. The chronicler reported that “The king was not dismayed at this, nor did he relax in promoting the work in which he took so great delight.” Now I confess my first reaction to this story was an uncharitable one, wondering if the chronicler, William of Newburgh, had been hitting the wine when he wrote this. Shower of rain and blood? But when I Googled it, I discovered that red rain has indeed fallen at various times, and there were even some unsettling photos of a red rain in India that really did look like blood. Clearly strong-willed men like Richard and Edward were not as superstitious as their brethren.

For me, though, February 2nd has another, sadder meaning, for on this date in 1237, Joanna, daughter of King John and wife of Llywelyn Fawr, died at Aber and was buried at Llanfaes, where her grieving husband established a friary in honor of her memory. Below is that scene from Falls the Shadow, page 26
* * *
Joanna closed her eyes, tears squeezing through her lashes. So much she wanted to stay, but she had not the strength. “Beloved…promise me…”
Llywelyn stiffened. She’d fought so hard to gain the crown for their son. Did she mean to bind him now with a deathbed bow? He waited, dreading what she would ask of him, to safeguard the succession for Davydd. Knowing there was but one certain way to do that—to cage Gruddydd again. And how could he do that to his son? How could he condemn him to a life shut away from the sun? But how could he deny Joanna? Could he let her go to her grave without that comfort?
“Llywelyn…pray for me,” she gasped, and only then did he fully accept it, that she was indeed dying, was already lost to him, beyond earthly cares, worldly ambitions.
“I will, Joanna.” He swallowed with difficulty, brought her hand up, pressing her lips against her palm. “You will have my every prayer.”
“Bury me at…at Llanfaes…”
His head jerked up. He had an island manor at Llanfaes; it was there that Joanna had been confined after he had discovered her infidelity. “Why, Joanna? Why Llanfaes?”
Her mouth curved upward. “Because…I was so happy there. You came to me, forgave me…”
“Oh, Christ, Joanna…” His voice broke; he pulled her into an anguished embrace, held her close.
* * *
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Published on February 09, 2019 13:14
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message 1: by Joanne (last edited Feb 09, 2019 03:27PM) (new)

Joanne Just when I thought I would not cry over a book today🙄...Joanna and Llywelyn are my all time favorites from your books!


message 2: by Sharon (new)

Sharon Thank you so much, Joanne. You made my day!


message 3: by Rebecca (new)

Rebecca Huston I cried buckets over that scene and had to put the book away for a week until I had calmed down enough to go on. There are very few authors who can do that to meany more...


message 4: by Sharon (new)

Sharon I'm feeling a little guilty, Rebecca, for doing that to you and Joanne and all the readers who've told me that they invest in boxes of tissues before reading one of my books. These death scenes can be challenging to write, too. It took me three weeks to get Richard out of his tent and onto the battlefield at Bosworth. It helps if the character is ready to go, like Eleanor and Llywelyn Fawr. But if they are suffering terribly like the Lionheart or have so much to live for like his sister Joanna, then it can be emotionally draining.


message 5: by Anduine (new)

Anduine Llywelyn and Joanna are my favourites too. And up to this day I cannot understand why your books have never been translated into German. (or have they and I missed it?), because historical novels are so well loved here and yours are well researched and provide a good historical background along with a well told story. Gratest compliment, one always wants to learn more about the charcters.


message 6: by Morena (new)

Morena No one today besides you Sharon can write medieval women in such touching way and with respect to the time they lived in. I can only think of Sigrid Undset, Dorothy Dunnett whose medieval characters reached down to my heart and squeezed it so much I will never forget the experience. I cried rivers for Joanna and Llywelyn, even for the sons of Simon de Montford. And yet you did not make me hate Edward. I love your writing for that. You don't demean these great people into caricatures of good and evil.


message 7: by Nana (new)

Nana Ogg I had recently discovered I had Welsh ancestry and being a lover of history, went searching for books on Wales. I ran across your series. It made me happy, sad, outraged, indignant, and brought me great understanding of why Wales is still Wales. They are a proud, stubborn people. I can easily see my own family members still carrying these traits around. Thank you, for bringing them to me full of life, love, sorrow, and pain, as real as they could ever be.


message 8: by RJay (new)

RJay Sharon wrote: "I'm feeling a little guilty, Rebecca, for doing that to you and Joanne and all the readers who've told me that they invest in boxes of tissues before reading one of my books. These death scenes can..."

OMG! It took you three weeks to get Richard out of his tent and it took me a month to read it! I just couldn't face what I knew was going to happen. You really do captivate us with your writing.


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