Mirror, Mirror

From The New Yorker:

Asking which category Ryan McGinley’s new series belongs to might seem like a trick question. Its title is “Mirror, Mirror,” but McGinley’s work has always been both a looking glass and a lookout. His early pictures, which earned him a solo show at the Whitney, in 2003, at the tender age of twenty-five, were at once fairy tales and slices of his own life, transforming the dive bars and barren rooftops of lower Manhattan into an enchanted world where beautiful...