To be a dancer is to work your body to the breaking point. In the project Inframen, Nir Arieli creates a series of portraits using an infrared technique that reveals blemishes that lie under the dancer's abused skin, like scars, stretch marks, sun damage, etc. Like a form of voyeurism, this photographic process strips away the dancer's outer shell, exposing hidden flaws. In Inframen, the surface of the skin becomes a metaphor for the dancer's interiority.
Published on October 10, 2018 01:09