DEAD PROMISE: Kirkus Reviews
The U.S. struggles to fight a pandemic—with viral outbreaks in three major cities—while agencies search for the mastermind behind the biological assault in this sequel.
Wells’ (Dead Love, 2013) latest novel picks up right where her preceding book left off. She adeptly eases her audience into the story, reintroducing characters with minimal exposition or recapping, and even readers just joining the series shouldn’t be lost. The (occasionally) nonlinear narrative is likewise utilized to great effect; George and Mark, for example, get a report of a murder—one that, in a later scene, a drunken Max (upset over Suzy’s fate) awakens to discover. As the pandemic affects so many people, Wells includes an abundance of relevant characters, from doctors and flight attendants to President Jake Howland and his advisers in the Cabinet Room. As in the earlier book, all these players beget various relationships and accompanying obstacles: George is reluctant to be with partner and subordinate Mark; nurse Chris Noel is worried about her sickly lover, Dr. Dave Grant, as is his wife, Vicki. The no-frills narrative complements the short chapters, providing the tale with a brisk pace, especially considering that it began in the midst of the action. But, though George and Mark, along with Max, are unmistakably the protagonists, they don’t have much impact on the main plot. Quantico’s cyber-forensics team uncovers most of the leads, such as another canister, while a surprising character becomes suspicious of the person who, readers already know, is the Director. There’s a definite resolution—a couple of crucial deaths cap off some of the storylines—but plenty of lingering questions remain, enough for the series’ third entry.
A conventional thriller elevated by the author’s masterly juggling of characters and subplots. -Kirkus Reviews
Wells’ (Dead Love, 2013) latest novel picks up right where her preceding book left off. She adeptly eases her audience into the story, reintroducing characters with minimal exposition or recapping, and even readers just joining the series shouldn’t be lost. The (occasionally) nonlinear narrative is likewise utilized to great effect; George and Mark, for example, get a report of a murder—one that, in a later scene, a drunken Max (upset over Suzy’s fate) awakens to discover. As the pandemic affects so many people, Wells includes an abundance of relevant characters, from doctors and flight attendants to President Jake Howland and his advisers in the Cabinet Room. As in the earlier book, all these players beget various relationships and accompanying obstacles: George is reluctant to be with partner and subordinate Mark; nurse Chris Noel is worried about her sickly lover, Dr. Dave Grant, as is his wife, Vicki. The no-frills narrative complements the short chapters, providing the tale with a brisk pace, especially considering that it began in the midst of the action. But, though George and Mark, along with Max, are unmistakably the protagonists, they don’t have much impact on the main plot. Quantico’s cyber-forensics team uncovers most of the leads, such as another canister, while a surprising character becomes suspicious of the person who, readers already know, is the Director. There’s a definite resolution—a couple of crucial deaths cap off some of the storylines—but plenty of lingering questions remain, enough for the series’ third entry.
A conventional thriller elevated by the author’s masterly juggling of characters and subplots. -Kirkus Reviews
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