The Secrets in my Filing Cabinet
Kate Flora: Recently, I was asked, as writers often are when we identify ourselves as
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Cover for my forthcoming short story collection
writers, if I was published. I replied with modest, down-cast eyes, that I had published eighteen books. Thinking about the eighteen published books, and the short story collection, novella, and ninth Thea Kozak mystery that I am putting the finishing touches on, made me wonder. Including the books that are hiding in my files, how many books have I written, as opposed to those I have published?
Since I spent ten years in the unpublished writer’s corner before my first book appeared, and since I am very serious about the fact that what writers do is write, whether published or not, I have quite a stash of unpublished books. Books we sometimes refer to as “books in the drawer.”
So what is in my drawer? To begin with, three books that I describe as being in a safe which is wrapped in chains, encased in cement, and at the bottom of the sea. These are my practice books. Two books in a series about a law student–representing, I suppose–the oft said idea that all early works are autobiographical. Another book about a New Hampshire school teacher with an irresponsible ex-husband, who moves her sad child to Florida and becomes a dog groomer.
When I first started writing my Thea Kozak series, I alternated those books with a series about Ross McIntyre, a Maine high school biology teacher. So the drawer contains three Ross McIntyre mysteries.
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Cover for my Girls’ Night Out novella
Around the time that my New York publisher dropped the Thea Kozak series, and before another publisher picked it up, I tried my hand at writing thrillers. The only one that got published was Steal Away, published as Katharine Clark, about a child who gets kidnapped. The other thrillers, still collecting dust in the drawer, include Spring Break, about a college student who learns she’s the child of a politician running for President, and has to go on the run when she becomes a potential pawn for the candidates. Spring Break shares drawer space with Teach Her a Lesson, about a school teacher trying to defend herself she when’s unjustly accused of seducing a student, and Runaway, a romantic suspense story about a girl on the run and a man who needs to get married.
No. That drawer still isn’t empty. There’s also the first book in a planned series about a female architect. Alas, this book is missing the ending, and the file is lost so many computers ago that I can’t find it. Of course, there’s also half a sequel, in which her rat of an ex-husband is found nail-gunned to the floor in a house she’s designed, and he’s the prime suspect.
I think that’s all. I believe we’ve come to the bottom of the drawer, but after thirty-five years in this writer’s chair, there might be another that I’ve forgotten.
This past weekend, I pulled out the manuscript for Spring Break, and it was just like reading someone else’s novel. I couldn’t put it down. I have a zillion things I need to be doing, but I needed to know what happened next. It’s my favorite part of writing–this need to get back to the story to see what happens next. This week, I got to entertain myself with my own long-neglected book. Yes, it’s a hokey book and too much bad stuff happens to my brave heroine, but it is still fun to read what I was writing almost twenty years ago.
Writers who are reading this–do you have a drawer full of unpublished books, too?