The Power of Pause

This week, I, Rayna Cole, your usual host, have something to share about what I've learned as a narrator and producer. I'm also taking my own advice in a way and giving the guys a week off. For sake of argument, we'll ignore the fact that I know full well they will spend the time they're not writing by recording more books.
I came in to audiobook narration with a built-in instinctive fear of "dead air." That's the first rule of broadcasting, right? Fill the silence, hold the audience's attention, your voice is the story. But the goal is not to rapid fire stack up lines like logs in a lumber-yard. Each word on the page is more than a specific sequence of sounds, it is a moment in the story. Each word is an integral part of the performance and must be given its due in weight and tone. This concept is hard enough to grasp and apply to the obvious vocal aspects of narration, but then, there's the pause...
The pause is uncomfortable, right? It's that endless moment of awkwardness at a family dinner party right after someone has said too much, and now there's nothing safe to say. It's those layers of tension

The pause can be pregnant or respectful, it can be for effect, it can mark the power of a preceding phrase, it can echo ominously with import that conveys more than any spoken word, and it can be a moment in the narrative for the character (and the narrator) to collect our collective literal and figurative breaths. It can be that for the listener as well, a cue, a clue, a nudge in the direction the author intended, a breathless moment when the pieces come together in the mind and the mystery is solved, and in the pause is a shared acknowledgement of that success. The pause is piece and part of the narrative, and it enhances the enjoyment of the story. Narrations where the pause is neglected seem disconcertingly false to the ear and tend toward droning in their regularity, and this is what must be avoided, not those spaces in between.

Find Rayna Cole and Falcon Sound Company on Facebook, or at www.falconsoundccompany.com
Check out these newest romances from Falcon Sound Company!

"A Baby for the Firefighter," by Ann-Katrin Byrde, and narrated by John Solo.

"High Test," by Elizabeth Noble is our new release from our newest narrator, Colin Darcy,
Published on April 05, 2018 06:00
No comments have been added yet.