With deep point of view, being able to show readers how and why your character is or isn’t attracted to another without naming an emotion or using on-the-nose dialogue can be a really important detail to get right.
There are at least four types of attraction (sexual attraction being just one option) and showing your character experiencing a wider range of traits they’re attracted to helps readers care more.
Remember, when writing in deep point of view, the writer’s job is to present evidence...
Published on March 08, 2018 22:00