Rochelle
Owens has made a name for herself for her avant-garde plays and her poetry
which take the reader into uncomfortable territory of taboo, flesh, violation,
body fluids, and life. The graphic
nature of her imagery has been the “shiny object” that generally captures the
critic’s attention, and unfortunately the sometimes shocking nature sometimes
blinds them to the work’s philosophical
Published on February 12, 2018 21:09