Working with a Freelance Editor (Part Two)

Part of the Indie Authors Series
Part One of my Q&A with freelance editor Mollie Traver is available here where we discuss her time at St. Martin’s Griffin, the different types of editing and how she made the transition from Big Five editor to freelancer.
Purely by chance, Mollie and I reconnected at the perfect time for both of us: She was launching her editorial business and I was in need of a topnotch professional. I'd just worked with an editor who'd offered good work in the past, but this time they rushed the proofing and it went bad in a heartbeat. Bad like me receiving a note from a NY Times bestselling author, who'd I'd ask to blurb the first book in my Chandler Steele series, kindly informing me there were typos in the finished manuscript. Same with one of my critique partners who reported there were no less than ten typos in the first twenty-five pages.
Ugh. (I used much stronger language than this.)
Simultaneously I was in contact with St. Martin's (who published my first four Demon Trappers books) on a separate matter and learned that Mollie was no longer with the publishing house. A bit of GoogleFu located her on Facebook and I asked if she was editing freelance. I rejoiced when the answer was yes. Since then she's offered full editorial control on the Chandler Series (developmental edits all the way through) as well as editing and proofreading for a number of other projects, including the last three books in my Demon Trappers series.
So let's dig in....
Read more »Written by Janice Hardy. Fiction-University.com

Published on January 25, 2018 05:07
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