An illegible scrawl nestled somewhere between hieroglyphic and anxiety-ridden chicken, my handwriting is, for better or worse, the truest, most elemental manifestation of the rhythm of the work at hand; it is exorcism devoid of judgement, a clearing house to conjure that mythic true sentence out of a haze of dried-out ink and word vomit.
With non-fiction, I find it best to type – I write these words on the Macbook Air, in full appreciation of the irony attendant in typing an ode to handwriting; with fiction, however, it is only through the tactile rhythm of writing by hand that I am most capable of entering that necessary state of lost time.
The results are a matter for another day – assuming, of course, that I can read them.
Happy Sunday.
Reading: THE LEFT HAND OF DARKNESS, by Ursula K. Le Guin
(TW)
Published on January 21, 2018 05:41