Common Errors in Fiction Manuscripts
Common Errors in Fiction Manuscripts
In varying degrees I've previously
written how to prepare a manuscript for submission to Five Rivers. Given the
experience both Robert and I have had over the past few years, an updated
discussion of some items to watch when submitting fiction seems warranted.
In the next few posts I will address the
nine problems we encounter most frequently:
The use of passive rather than active
verbs
Redundant detail in describing body
parts, and/or attributing action to them.
Point of view (POV) and environmental
detail.
Purple prose.
Lack of thorough research.
Less is More: Sex/love scenes; neologisms
in SF.
Overdone dystopia.
Punctuation: use of single quotes,
double quotes and italics, 5R house style, dialogue, proper suffix for adverbs.
Formatting the manuscript
Passive versus active verbs
The use of passive instead of active
verbs is a sure fire way to slow or even stop the action and tension in your
story. Too often a writer migrates to passive voice, writing a sentence
something like:
She looked up at the sky and there were
birds flying overhead.
There isn't any tension in this
sentence, and were you to read this as an opening line of a story, you'd likely
yawn and look at the next book. Why is it important to maintain tension in your
writing? For exactly the reason I've implied above: to keep the interest of
your reader, and to create an environment that fully engages the senses of your
audience.
Rewritten in an active voice, the
sentence reads:
She looked at the sky where three birds
flew.
Now you not only have an active voice,
but have shortened the length of your sentence from 12 words to nine. By doing
this you've created a sharp image, each word precise. And by creating short,
sharp sentences you create a staccato rhythm that enhances the tension.
That is not to say longer, elegant
phraseology is to be avoided. Quite the contrary. But rather you must determine
where to use shorter sentences for tension, and longer to create drama and
environment.
Comments? Questions? We'd love to hear
from you.
In varying degrees I've previously
written how to prepare a manuscript for submission to Five Rivers. Given the
experience both Robert and I have had over the past few years, an updated
discussion of some items to watch when submitting fiction seems warranted.
In the next few posts I will address the
nine problems we encounter most frequently:
The use of passive rather than active
verbs
Redundant detail in describing body
parts, and/or attributing action to them.
Point of view (POV) and environmental
detail.
Purple prose.
Lack of thorough research.
Less is More: Sex/love scenes; neologisms
in SF.
Overdone dystopia.
Punctuation: use of single quotes,
double quotes and italics, 5R house style, dialogue, proper suffix for adverbs.
Formatting the manuscript
Passive versus active verbs
The use of passive instead of active
verbs is a sure fire way to slow or even stop the action and tension in your
story. Too often a writer migrates to passive voice, writing a sentence
something like:
She looked up at the sky and there were
birds flying overhead.
There isn't any tension in this
sentence, and were you to read this as an opening line of a story, you'd likely
yawn and look at the next book. Why is it important to maintain tension in your
writing? For exactly the reason I've implied above: to keep the interest of
your reader, and to create an environment that fully engages the senses of your
audience.
Rewritten in an active voice, the
sentence reads:
She looked at the sky where three birds
flew.
Now you not only have an active voice,
but have shortened the length of your sentence from 12 words to nine. By doing
this you've created a sharp image, each word precise. And by creating short,
sharp sentences you create a staccato rhythm that enhances the tension.
That is not to say longer, elegant
phraseology is to be avoided. Quite the contrary. But rather you must determine
where to use shorter sentences for tension, and longer to create drama and
environment.
Comments? Questions? We'd love to hear
from you.
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