In the LA Times, Megan Daum has an interesting reflection on the late comedy director John Hughes, and his eccentric cinematic representations of adolescence:
If the brooding, solitary Andie played by Ringwald in "Pretty in Pink" were in high school in 2009, it's hard to imagine she wouldn't be a candidate for anti-depression therapy. Likewise, if "The Breakfast Club," which is about five teens serving time in Saturday detention, took place in a post-Prozac, post-Columbine America, Ally Sheedy'
Published on August 24, 2009 19:48