“The Snowman” Collapses Under the Weight of Its Structure

The Snowman (Tomas Alfredson, 2017) Let’s not mince words: The Snowman is a grotesque, gruesome gargoyle of a thriller with very little to recommend it beyond some picturesque shots of Norwegian landscapes and architecture, as well as the sight of actor Michael Fassbender (a landscape unto himself), deep in thought. Always a compelling screen presence, Fassbender (Macbeth) … Continue reading “The Snowman” Collapses Under the Weight of Its Structure