The view from July

Splitting my time between my story for E is for Evil and sketching out scenes for Leviathan, all while working my way through the last few episodes of American Gods. Because, um:

There is a sense, these days, of slowly emerging from a tunnel into light, a tunnel that stretches all the way back to the end of 2015. A faint glow that minutely increases each day after day after day after … it’s a fresh challenge to my natural impatience, but for once I feel like I have enough of a toolkit to cur...