Story Research and the Not So Smooth Drive
I was sitting in a coffee shop one night working furiously on a short story for one of the Twisted Tails anthologies (The editor, J, had mentioned that, if I didn’t have the story to him pronto, bad things would start happening to me.) when I felt someone nudge my shoulder. I quickly grabbed my Saint Christopher’s cross to ward off evil editors before turning to see who it was. It wasn’t J.
It was a pimply faced middle aged wide eyed short paunchy balding man wearing the ugliest sweater I’ve ever seen. I won’t spoil your appetite by describing the sweater. He asked if I were Biff Mitchell. I said no, but he just ignored me and waved two crumpled sheets of paper in my face.
“I need you to tell me what’s wrong with this.” He sounded pissed off and disappointed at the same time. I thought for a moment on whether or not I should take the paper out of his hand and shove it up his nose, but I don’t do things like that anymore, so I took the sheets and looked at them.
“There’s something wrong, but I don’t know what it is.” His eyes looked like they were almost ready to burst into tears. “Ashley, my sister, read it and laughed.” I think he called her a bitch, but I’m not going to use that kind of language here. I told him to calm down and I started reading. He moved to the empty chair on the other side of the table as though he was going to sit, but I told not to sit down, that it would ruin my focus. I read the first page.
Surprisingly, the writing wasn’t bad. In fact, it was good enough that I continued reading into the second page. And that’s when I almost started to laugh.
He described the cockpit of a Formula 1 racing car going full out as smooth as a bar of soap sliding across ice. Now, I’m not going to get into a critique of the imagery, but I will take issue with the description itself. I’ve never driven a Formula 1 racer myself, but I once saw a video clip of the inside of one going full out…and it was anything but smooth. In fact, it was bumpy as hell and it seemed to me to be a miracle that any car could hold together under that kind of stress.
His sister obviously saw the same video clip. In his case, a simple search through YouTube might have given him a little more insight, but, obviously, he just used his imagination and figured that a car built for those speeds would probably drive smoothly at those speeds. His research obviously sucked.
Good research is a key ingredient in a well-written novel. Lack of it shows, not just in terms of inaccuracies, but in terms of convincing descriptions of settings, procedures, operations, cultures and everyday rituals…just to name a few aspects of fictional world-building.
I mentioned this to the man in the ugly sweater and he grabbed the pages away from me, stared at me with wide swollen eyes, stood up, broke into tears and ran out of the coffee shop. He could have avoided that whole scene with just a little bit of reality.
It was a pimply faced middle aged wide eyed short paunchy balding man wearing the ugliest sweater I’ve ever seen. I won’t spoil your appetite by describing the sweater. He asked if I were Biff Mitchell. I said no, but he just ignored me and waved two crumpled sheets of paper in my face.
“I need you to tell me what’s wrong with this.” He sounded pissed off and disappointed at the same time. I thought for a moment on whether or not I should take the paper out of his hand and shove it up his nose, but I don’t do things like that anymore, so I took the sheets and looked at them.
“There’s something wrong, but I don’t know what it is.” His eyes looked like they were almost ready to burst into tears. “Ashley, my sister, read it and laughed.” I think he called her a bitch, but I’m not going to use that kind of language here. I told him to calm down and I started reading. He moved to the empty chair on the other side of the table as though he was going to sit, but I told not to sit down, that it would ruin my focus. I read the first page.
Surprisingly, the writing wasn’t bad. In fact, it was good enough that I continued reading into the second page. And that’s when I almost started to laugh.
He described the cockpit of a Formula 1 racing car going full out as smooth as a bar of soap sliding across ice. Now, I’m not going to get into a critique of the imagery, but I will take issue with the description itself. I’ve never driven a Formula 1 racer myself, but I once saw a video clip of the inside of one going full out…and it was anything but smooth. In fact, it was bumpy as hell and it seemed to me to be a miracle that any car could hold together under that kind of stress.
His sister obviously saw the same video clip. In his case, a simple search through YouTube might have given him a little more insight, but, obviously, he just used his imagination and figured that a car built for those speeds would probably drive smoothly at those speeds. His research obviously sucked.
Good research is a key ingredient in a well-written novel. Lack of it shows, not just in terms of inaccuracies, but in terms of convincing descriptions of settings, procedures, operations, cultures and everyday rituals…just to name a few aspects of fictional world-building.
I mentioned this to the man in the ugly sweater and he grabbed the pages away from me, stared at me with wide swollen eyes, stood up, broke into tears and ran out of the coffee shop. He could have avoided that whole scene with just a little bit of reality.
Published on May 17, 2017 06:36
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Tags:
biff-mitchell, books, creative-writing, novels, short-stories, story-research, writing-hurts-like-hell
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Writing Hurts Like Hell
Writing Hurts Like Hell is a workshop taught by Biff Mitchell for a decade through the University of New Brunswick's College of Extended Learning. Held mostly off-campus in coffee shops, bars, studios
Writing Hurts Like Hell is a workshop taught by Biff Mitchell for a decade through the University of New Brunswick's College of Extended Learning. Held mostly off-campus in coffee shops, bars, studios, hot tubs, parks and mall food courts, the workshop focussed more on becoming a writer than learning how to right by teaching aspiring writers how to see, feel, hear, smell and taste the world the way a writer does.
The workshop also examined, mostly through discussion, topics such as how to present violence to match the story, write sex scenes that aren't pornography (unless, of course, the book is pornography), write humor and use foul language convincingly.
The workshop is currently available in print and ebook formats. Just Google Writing Hurts Like Hell by Biff Mitchell. ...more
The workshop also examined, mostly through discussion, topics such as how to present violence to match the story, write sex scenes that aren't pornography (unless, of course, the book is pornography), write humor and use foul language convincingly.
The workshop is currently available in print and ebook formats. Just Google Writing Hurts Like Hell by Biff Mitchell. ...more
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