On the blogs: The Importance of YA Fiction!

I'm on Linda Hill's blog today writing about the importance of YA fiction, how storytelling can drive home a message. Read on!
https://lindasbookbag.com/2017/03/21/...
The Importance of YA Fiction, A Guest Post by Christina Hoag, Author of Girl on the Brink

One of the reasons I began blogging was because in the past I had reviewed teenage fiction for Hodder so that I could say whether I thought the books would be suitable for KS3 class readers. Since then I have found there to be some fantastic Young Adult (YA) fiction which is frequently overlooked.

Today I’m delighted to welcome Christina Hoag to Linda’s Book Bag. Christina’s Girl on the Brink is a YA novel and she’s telling us all about why YA fiction is important.

Girl on the Brink is available for purchase here.

Girl on the Brink

GirlOnTheBrinkCover

Sometimes the one you love isn’t the one you’re meant to be with.

The summer before senior year, 17-year-old Chloe starts an internship as a reporter at a local newspaper. While on assignment, she meets Kieran, a quirky aspiring actor. Chloe becomes smitten with Kieran’s charisma and his ability to soothe her soul, torn over her parents’ impending divorce. But as their bond deepens, Kieran becomes smothering and flies into terrifying rages. He confides in Chloe that he suffered a traumatic childhood, and Chloe is moved to help him. If only he could be healed, she thinks, their relationship would be perfect. But her efforts backfire and Kieran becomes violent. Chloe breaks up with him, but Kieran pursues her relentlessly to make up. Chloe must make the heartrending choice between saving herself or saving Kieran, until Kieran’s mission of remorse turns into a quest for revenge.
The Importance of YA Fiction

A Guest Post by Christina Hoag

Think back to when you were a teenager. Did you like being told what to do? That you were making a mistake? Probably not, and frankly most of us don’t like that as adults, either. That’s why couching life lessons as stories is a valuable way to send messages or impart knowledge, especially to adolescents who tend to think they’ve got life sewn up by the age of sixteen.

I’m sure parents who are reading this will be well familiar with the eye-roll, the shrug, the responses of “whatever” or “are you done yet?” when they’ve tried to deliver sermons on life lessons to their teen kids, which we regard as an integral part of parenting. Somehow we get the feeling that our valuable advice simply rolls off teenagers like oily suntan lotion and because we want the best for our children, we fear for them.

Unfortunately, the best way to learn from our mistakes in life is by actually making them. We sure don’t forget those lessons quickly. But we can also learn life lessons through the power of story. Stories allow us to vicariously experience the mistakes of others and learn what happens to characters without actually having to go through the painful consequences ourselves.

That’s why I wrote Girl on the Brink, a novel that chronicles the tale of an abusive relationship that a 17-year-old protagonist falls into, and why I aimed the novel specifically at teenage girls instead of writing a book for adults. It was inspired by something that happened to me, and I felt strongly that if more girls were forewarned about the red flags of an abusive boyfriend at the start of their dating lives, they might be able to avoid such relationships not just in adolescence but also in womanhood, or at least get away from these men sooner, before the stakes intensify.

The challenge, of course, in writing a book with a strong social message is making it too heavy-handed and didactic. Readers, especially teens, aren’t going to pick up a book that’s going to preach at them. They have to be so absorbed in the plot and characters that they don’t really notice the message. The theme has to be woven into the story so it becomes secondary, subliminal, and it has to. People read fiction largely for entertainment, not for lectures.

As I was writing Girl on the Brink, I had to keep this uppermost in my mind, and it took a while. I had to keep revising and revising, sometimes drastically, until it finally twigged. I had to let go of the message and concentrate on unfolding the story, because the message was inherent in the plot points and character actions. My job was simply to make the story as suspenseful and “un-put-down-able” as I could.

When Girl on the Brink was finally published last August, I didn’t know how it would be received. It had been a hard sell, rejected by agents and editors all over the place. No one, it seemed, was much interested in a contemporary realistic tale of a bad romance. Much of YA fiction tends to land more on the frothy, unrealistic side (falling in love with a werewolf, anyone?). I at last found an editor at a small U.S. publisher (Fire & Ice YA) who was into the book—and its message. At her suggestion, we put a page of resources at the end of the book.

Luckily, Girl on the Brink was well received from the get-go. When Kirkus Reviews said the book imparted a lesson without seeming preachy, I knew I must’ve hit the right balance. That was underscored when Suspense Magazine named it on its Best of 2016 YA list. While compliments are always nice for an author to hear, ultimately it meant that I stood in good stead of getting my message about dating violence to readers. If Girl on the Brink helps just one girl avoid or get out of an abusive relationship, I will have fulfilled my goal.