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I’m three-quarters of the way through Thomas Wharton’s The Shadow of Malabron and I’m just not feeling it–not the characters, not the world, not the story. Passages go by where I realize my inattentiveness several pages later, reading but not registering, and then having to flip back to figure out why Will is doing this thing or why the wolf is over there. Not a good sign, and one that chafes because Wharton’s glacially-paced Icefields kept me far more engaged. Much more happens in Shadow, y...
Published on March 19, 2017 17:54