I'm teaching your Hawkeye run in my narrative theory class, because I'm a cool professor. Any thoughts on what scenes we should tackle in class?

maybe the one where he’s wracked with self-doubt but everything is shown out of sequence and with a heavy visual language we trust the reader to decode as they progress? the one with the dog and the girl and the arrows? Kate’s there? He’s depressed because the recurrent effects of childhood trauma? That one.

(I kid. whatever you decide, if you have any questions, you know how to find me)