Lies They Tell Writers, Part 36: Plan Your Plot, Organize Your Outline.


Many fiction writers plan out a story in great detail before writing the first word. And many writing instructors teach the hows and whys of plotting and outlining. They swear by the process, claiming it provides discipline and keeps you on track. If you plot and outline well enough, you’re less likely to wander off on tangents or let the story ramble down paths not of your choosing.But it’s not the only way to write. And, for some, not the best way to write. While every story starts somewhere, and the writer likely has some idea about where it’s going, many writers know little else about it. They like to let the story find itself, rely on the characters to drive the action, and allow causes to create their own effects and conflicts to reach their own resolution. That’s the way I like to write. In fact, as I write this I am about 50,000 words into a novel, and while the story and characters have decided what happens next (as they have, for the most part, all along the way), what follows after that is pretty hazy, and where it will end is unknown—at least to me.There’s a quotation by Ray Bradbury that sums up this approach to writing a book: “Go to the edge of the cliff and jump off. Build your wings on the way down.” E.L. Doctorow said something similar: “Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.”I trust that, at some point, the fog will clear and book I am working on will eventually reach its destination.

P.S. It did.


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Published on February 04, 2017 07:35
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message 1: by Eunice (new)

Eunice Boeve Ahh.... Exactly how I write. If I plot or plan, the story dies. Even, at times, the wrong name on a character will trip me up, for he/she will not come alive, if their name is wrong. In my book, Along Shadowed Trails I named a black woman Belle and the sixteen-year-old girl in the story, Lucy. It was as if they both just folded their arms and refused to enter the action. Frustrated, I tried switching their names and, just like that, they dropped their arms and jumped into the story. I gave the main character in The Summer of the Crow, the name Brady. Later, as the story progressed, I learned his mother had been abandoned as a child, and it was her maiden name. In one of my earlier stories, since out of print, and before I'd learned that plotting won't work for me, I tried to get the mother in the story to go along with what I'd planned. She refused and the story ground to a halt. Finally, a few days later, it suddenly dawned on me what she wanted to do, and the story took off again. I have to admit, too, that her idea was a heck of a lot better than mind. :-)


message 2: by Rod (new)

Rod Miller Great stories, Eunice. It is always surprising (still) when characters take over and go their own way and you have no choice but to follow along.


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