INTERVIEW WITH EILEEN COLUCCI from the Blog, THE AVID READER
Interview with Eileen Colucci
What inspired you to write SHE’S LIKE A RAINBOW?
I read an article about Miracle, a white buffalo calf that was born on a South Dakota farm to black/brown parents. I learned that white buffalos are very rare but that, due to some strange phenomenon, other species, such as tigers, whales and turtles, were also experiencing white young being born. The white buffalo calf would not remain white, but would turn various colors – black, yellow, red and finally brown. Some Native American tribes believe that Miracle and other white buffalo are sacred and symbolize all the different races of humanity.
As I read, an idea was born. What if a human baby was born white to black parents? What if her skin repeatedly changed color as the legend of the White Buffalo played out on the human stage? I did not write my novel by purposely planting symbols throughout. Instead, I just let the words flow, hoping they would ultimately convey a message. Ray Bradbury once said, “I don’t want to set out to influence people. I don’t want to set out to change the world in any self-conscious way. That way leads to self-destruction; that way, you’re pontificating, and that’s dangerous and it’s boring – you’re going to put people right to sleep.”
Hopefully, I will not put my readers to sleep. I do hope that SHE’S LIKE A RAINBOW will promote peace and understanding among people of different cultural and ethnic backgrounds. My aim is to stimulate discussion on everything we have in common as human beings regardless of our particular heritage. I believe we are all interconnected.
Can you tell us a little bit about the next books in the series or what you have planned for the future?
SHE’S LIKE A RAINBOW is not the first book of a series. It stands alone. I am hoping to start working soon on my third novel, but I am waiting for inspiration. In the meantime, I am planning to write some essays for publication. I am working on one now about having my dear father’s vintage Gibson guitar restored more than forty years after he died.
Can you tell us a little bit about the characters in SHE’S LIKE A RAINBOW?
SHE’S LIKE A RAINBOW is magical realism. As such, I had a lot of freedom creating the characters. They are totally made up unlike in my first novel, THE STRINGS OF THE LUTE, which is about a mixed Moroccan-American couple and, while fiction, is loosely based on my own experiences.
Reema, the main character and narrator of the story, and her friends and family are Moroccan. I hope that my readers will find their voices authentic. Although Reema is Moroccan, she experiences many of the things all teenagers, regardless of their ethnicity, go through: alienation, anxiety, identity crisis, and just plain wishing to be “normal” and like everyone else. The challenges that Reema faces are similar to those that confront any young person. Her changing skin tones could be compared to a disability or any condition (underweight or overweight, for example) that causes a person to feel like an outsider and to be the object of ridicule and bullying.
Among the other characters are Reema’s mother, Lalla Jamila, who is very strict with her and treats her differently than her younger sister, Zakia. Reema seeks comfort with her two best friends and classmates, Batoul, a Moroccan girl, and Khalil, a Dutch-Moroccan boy. The three are inseparable. As Reema struggles with her strange skin condition and the trials of adolescence, her friendship with Khalil turns to first love, threatening her friendship with Batoul.
As Reema matures, she comes to terms with her skin color and her ethnicity. She says on page 171, “If my transformations had taught me anything it was that my ethnicity was literally not skin-deep. Over the years, I had always kept my “Moroccan-ness”: it was in the food I ate and the way I ate it; in my beliefs and prejudices; in my very being thanks to my upbringing and daily environment. No matter what my physical attributes might be … I would always be Moroccan.” In this respect, Reema strives to “feel good in her own skin,” something we can all relate to, no matter our culture or heritage.
You know I think we all have a favorite author. Who is your favorite author and why?
This is a hard one because there are so many “favorites.” But, if I had to choose one it would be J.D. Salinger, author of my favorite book of all time, THE CATCHER IN THE RYE. For me, this is the ultimate coming of age story: a teenager, grappling with the death of a sibling and fearful of losing his sister, reaches a crisis, flees the school from which he has been expelled, and goes on a road trip. As he tries to make sense of his life, Holden Caulfield epitomizes teenage angst and alienation and does so with much humor. When I first read CATCHER for school, I was a teenager like Holden and totally identified with him and his disdain for all the “phonies” out there. Many years later, my teenage son was reading it for school and I picked it up and reread it. It was a totally different book. This time I identified with Holden’s mother (who was mostly absent from the actual narrative), experiencing it as the parent of a troubled child, my heart going out to him and wanting to absorb his pain. A while ago, I purchased a digital copy of this book (my paperback copy having nearly disintegrated) so I could always have it and reread it at will.
I would just like to mention my favorite poet, Khalil Gibran, author of THE PROPHET. He is a constant inspiration for me (the epigraph and title for my first novel are from one of his poems) and source of comfort.
If you could time-travel would you travel to the future or the past? Where would you like to go and why would you like to visit this particular time period?
I would like to travel back to New York in 1951 and meet J.D. Salinger for coffee. We would talk about his book, THE CATCHER IN THE RYE, which was just published. I have so many questions I would like to ask him, such as which writers influenced his work and which ones he most admired. The question I could not ask him though because it would be reaching into the future is why he stopped publishing novels after CATCHER. He did release some short story collections before he stopped publishing definitively and it is rumored that he wrote as many as five other novels in his later years. But, I would like to know why he did not share them with us. Did he fear they were not good enough? Was the success of CATCHER too much to live up to? Salinger was an infamous recluse and I don’t know if he would even want to go for coffee with me. But, as in the Woody Allen movie, MIDNIGHT IN PARIS, it is a writer’s dream to meet up with legendary authors and just sit and chat with them like ordinary people. Just like the protagonist in that film though, I would remain in that time period only long enough to get to know my literary idol and then return to the present.
.
Do you have any little fuzzy friends? Like a dog or a cat? Or any pets?
I have a three and a half year-old chocolate Labrador Retriever named Phoebo. Since his name is so unusual, I’d like to explain its origin. The son of a friend of mine has a female chocolate Labrador that I got to know when staying with them and her name is Phoebe. My husband and I thought of her when we got our puppy and since he was a male we changed the last letter to “o.” Phoebo loves playing Frisbee (he catches it in his mouth), having his belly rubbed and eating treats. Growing up, I was afraid of dogs at one point and allergic to them at another. Fortunately, I outgrew those issues and love spending time with Phoebo. He is as great a comfort as Khalil Gibran
http://the-avidreader.blogspot.com/20...
What inspired you to write SHE’S LIKE A RAINBOW?
I read an article about Miracle, a white buffalo calf that was born on a South Dakota farm to black/brown parents. I learned that white buffalos are very rare but that, due to some strange phenomenon, other species, such as tigers, whales and turtles, were also experiencing white young being born. The white buffalo calf would not remain white, but would turn various colors – black, yellow, red and finally brown. Some Native American tribes believe that Miracle and other white buffalo are sacred and symbolize all the different races of humanity.
As I read, an idea was born. What if a human baby was born white to black parents? What if her skin repeatedly changed color as the legend of the White Buffalo played out on the human stage? I did not write my novel by purposely planting symbols throughout. Instead, I just let the words flow, hoping they would ultimately convey a message. Ray Bradbury once said, “I don’t want to set out to influence people. I don’t want to set out to change the world in any self-conscious way. That way leads to self-destruction; that way, you’re pontificating, and that’s dangerous and it’s boring – you’re going to put people right to sleep.”
Hopefully, I will not put my readers to sleep. I do hope that SHE’S LIKE A RAINBOW will promote peace and understanding among people of different cultural and ethnic backgrounds. My aim is to stimulate discussion on everything we have in common as human beings regardless of our particular heritage. I believe we are all interconnected.
Can you tell us a little bit about the next books in the series or what you have planned for the future?
SHE’S LIKE A RAINBOW is not the first book of a series. It stands alone. I am hoping to start working soon on my third novel, but I am waiting for inspiration. In the meantime, I am planning to write some essays for publication. I am working on one now about having my dear father’s vintage Gibson guitar restored more than forty years after he died.
Can you tell us a little bit about the characters in SHE’S LIKE A RAINBOW?
SHE’S LIKE A RAINBOW is magical realism. As such, I had a lot of freedom creating the characters. They are totally made up unlike in my first novel, THE STRINGS OF THE LUTE, which is about a mixed Moroccan-American couple and, while fiction, is loosely based on my own experiences.
Reema, the main character and narrator of the story, and her friends and family are Moroccan. I hope that my readers will find their voices authentic. Although Reema is Moroccan, she experiences many of the things all teenagers, regardless of their ethnicity, go through: alienation, anxiety, identity crisis, and just plain wishing to be “normal” and like everyone else. The challenges that Reema faces are similar to those that confront any young person. Her changing skin tones could be compared to a disability or any condition (underweight or overweight, for example) that causes a person to feel like an outsider and to be the object of ridicule and bullying.
Among the other characters are Reema’s mother, Lalla Jamila, who is very strict with her and treats her differently than her younger sister, Zakia. Reema seeks comfort with her two best friends and classmates, Batoul, a Moroccan girl, and Khalil, a Dutch-Moroccan boy. The three are inseparable. As Reema struggles with her strange skin condition and the trials of adolescence, her friendship with Khalil turns to first love, threatening her friendship with Batoul.
As Reema matures, she comes to terms with her skin color and her ethnicity. She says on page 171, “If my transformations had taught me anything it was that my ethnicity was literally not skin-deep. Over the years, I had always kept my “Moroccan-ness”: it was in the food I ate and the way I ate it; in my beliefs and prejudices; in my very being thanks to my upbringing and daily environment. No matter what my physical attributes might be … I would always be Moroccan.” In this respect, Reema strives to “feel good in her own skin,” something we can all relate to, no matter our culture or heritage.
You know I think we all have a favorite author. Who is your favorite author and why?
This is a hard one because there are so many “favorites.” But, if I had to choose one it would be J.D. Salinger, author of my favorite book of all time, THE CATCHER IN THE RYE. For me, this is the ultimate coming of age story: a teenager, grappling with the death of a sibling and fearful of losing his sister, reaches a crisis, flees the school from which he has been expelled, and goes on a road trip. As he tries to make sense of his life, Holden Caulfield epitomizes teenage angst and alienation and does so with much humor. When I first read CATCHER for school, I was a teenager like Holden and totally identified with him and his disdain for all the “phonies” out there. Many years later, my teenage son was reading it for school and I picked it up and reread it. It was a totally different book. This time I identified with Holden’s mother (who was mostly absent from the actual narrative), experiencing it as the parent of a troubled child, my heart going out to him and wanting to absorb his pain. A while ago, I purchased a digital copy of this book (my paperback copy having nearly disintegrated) so I could always have it and reread it at will.
I would just like to mention my favorite poet, Khalil Gibran, author of THE PROPHET. He is a constant inspiration for me (the epigraph and title for my first novel are from one of his poems) and source of comfort.
If you could time-travel would you travel to the future or the past? Where would you like to go and why would you like to visit this particular time period?
I would like to travel back to New York in 1951 and meet J.D. Salinger for coffee. We would talk about his book, THE CATCHER IN THE RYE, which was just published. I have so many questions I would like to ask him, such as which writers influenced his work and which ones he most admired. The question I could not ask him though because it would be reaching into the future is why he stopped publishing novels after CATCHER. He did release some short story collections before he stopped publishing definitively and it is rumored that he wrote as many as five other novels in his later years. But, I would like to know why he did not share them with us. Did he fear they were not good enough? Was the success of CATCHER too much to live up to? Salinger was an infamous recluse and I don’t know if he would even want to go for coffee with me. But, as in the Woody Allen movie, MIDNIGHT IN PARIS, it is a writer’s dream to meet up with legendary authors and just sit and chat with them like ordinary people. Just like the protagonist in that film though, I would remain in that time period only long enough to get to know my literary idol and then return to the present.
.
Do you have any little fuzzy friends? Like a dog or a cat? Or any pets?
I have a three and a half year-old chocolate Labrador Retriever named Phoebo. Since his name is so unusual, I’d like to explain its origin. The son of a friend of mine has a female chocolate Labrador that I got to know when staying with them and her name is Phoebe. My husband and I thought of her when we got our puppy and since he was a male we changed the last letter to “o.” Phoebo loves playing Frisbee (he catches it in his mouth), having his belly rubbed and eating treats. Growing up, I was afraid of dogs at one point and allergic to them at another. Fortunately, I outgrew those issues and love spending time with Phoebo. He is as great a comfort as Khalil Gibran
http://the-avidreader.blogspot.com/20...
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