I was never
one for dialogue.
No one talked
in my early work,
and the plot
didn’t move much
either.
Usually,
I’d describe scenes
in vivid detail;
my first book
had a ten-page chapter
about the dream
a girl
had
the night
her mother died.
That book
is no longer
for sale.
But now I’ve turned
full circle;
I’ve gone dialogue-heavy
and I ought to
pay attention
to my surroundings.
I also have
a complex;
people frown
and sigh
and take
big gulps
of coffee.
I think
I over-egged
the pudding.
Anyway,
I wrote a line
of dialogue
and it might be
my best line
yet.
You won’t believe
what Jack Cholmondeley
said.
Published on January 30, 2017 03:12