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Your Mongolian Death Worm brings back to my memory Star Trek II: The Wrath Of Khan where Khan Noonien Singh(Ricardo Montalban) drops a sort of worm in Chekov's ear: "You see, their young enter through the ears and wrap themselves around the cerebral cortex. This has the effect of rendering the victim extremely susceptible to suggestion... Later, as they grow, follows madness and death..."
Given the genre of the book, I wouldn't say that this is out of place. I'm used to reading these kind of scenes (much worse in some cases) so it didn't bother me. Definitely wouldn't put me off reading further.
Oh, I have read so much worse... which probably says something about me. I'll have to describe "taping" to you some time.But I did have one serious problem with this scene: The word "assassins" should be "assassin's".
Perry wrote: "Oh, I have read so much worse... which probably says something about me. I'll have to describe "taping" to you some time.But I did have one serious problem with this scene: The word "assassins" s..."
Hi Perry, nice catch. Corrected (Here and in the Source).
Gross, but no, that wouldn't turn me off the book. In fact, I think it's the good kind of gross with blood and imagery and just enough description to be memorable in a positive way.I was a little confused at the end, though. Was what Al Far whispered the location if the Red Empire Citadel?
Re-reading it, clearly it was, but the first time through I was momentarily confused as to how Haras seemed suddenly to know.
Hi Skyril,I appreciate your perspective.
I may have to clarify the wording around that sentence. I'll look into it.
I don't find it especially disturbing, I think because it feels kinda over the top, like almost cartoony, so for me the impact is lessened. (I'm guessing that isn't what you were going for, sorry!) I might feel differently if I'd read the whole book.
Hi Michele,That's ok. I'm smiling at your response. My actual intent is not to produce horror, but to create suspense.
Cheers Graeme
I don't normally read a lot of these types of novels, but I think it is fitting to this genre. I mean...any type of torture is going to be grotesque...it's...torture. When you are dealing with a war-scenario novel, something ultimately gut churning is going to be in there.
Hi Sheila,Thanks for the feedback. The basic context is of multiple competing organizations fighting a secret spy vs spy vs spy war. Where information can mean the difference between winning or losing.
You are right about the context driving the content.
Graeme Rodaughan wrote: "Hi Sheila,Thanks for the feedback. The basic context is of multiple competing organizations fighting a secret spy vs spy vs spy war. Where information can mean the difference between winning or l..."
It is compelling! Happy writing!
lol, Graeme. When I saw your post asking for feedback, I was expecting something much much worse. Anyway, I think this is suitable to the genre and the type of scene you are writing. (I have read. . . and written worse myself. This is tame compared to a few scenes in some first drafts of later books of mine.)My only correction would be the last sentence. I think Haras picked up the urn and disappeared into the darkness. Leaving the pinned corpse of the Red Empire assassin dripping blood onto the concrete floor. should actually be one sentence. The part starting with leaving is just a sentence fragment. If this is done with stylistic purpose, then disregard. :)
Graeme Rodaughan wrote: "Thanks Theresa.All good. I'll sort that last sentence."
Awesome. Good luck and happy writing!
I may be being a bit ghoulish, but your turturer is making his job harder than it needs to be by using too much force. For instance, crucifixion is horrifyingly painful in part because it puts you in a permanent stressed position. You can't stand because of how your feet are nailed. If you hang from the nails in your wrists it compresses your upper chest and slowly smothers you. Since you can't do either you try to stay in between which stresses your joints and exhausts you. Like locking someone in a tiger cage. While they would hurt, the nails in the elbows would actually relieve stress on the other joints, and the increased damage would increase the likelihood of death from trauma. If done correctly, crucifixion is a terribly slow way to die. It takes time, perhaps days, to become completely exhausted. Then as you hang there you can't breath fully; your lungs fill with fluid; and you smother to death. In comparison your victim gets off easy.
Michele wrote: "I find J.'s detailed descriptions of crucifixion as disturbing than the original torture scene lol"The details of crucifixion are quite horrifying. I can totally understand that thought.
Not at all over the top, Graeme. Realistic writing should not be compromised in any way. This is powerful stuff, and diluting it would considerably lessen the impact. Yes, it's horrifying for sure, but for that specific reason it will stay in the reader's mind a long time after. I'm even of the opinion that it could perhaps be turned up a notch or two... (Admit it, you would love to do just that!!)
I read this part just yesterday, but I have to admit that the torture didn't upset me too much. Maybe I was focused waiting the confession of Al Far, or today we are used to see much worse on tv. The crucifixion, on the other hand, hit me at the first time, but not affected my reading. It's true that, in a real warfare, the human being shows is worst part, so in the literary fiction can't be different.
The torture seems congruent with the story. I had no issues with it. In fact, it helps provide a deeper understanding of both characters. I can't say how Haras is portrayed elsewhere, but as far as this scene is concerned, he comes off as resolute and a tad merciful. Plus, the victim did break and cough up the location; his loyalty cracked. I liked it.
Thanks India and J.N. Good feedback.As it turned out, I have used this scene, pretty much as is - just polished.
I'll add that it's not entirely unprecedented in history, either. For example, it is a well known fact that prisoners were strapped to poles in New Orleans and had creatures put into them to feed upon them while alive. Their deaths were agonizing and lasted an eternity. Some claim you can still hear their lamentations if you venture into that particular square at night...






Of course, I have my own specific take on this particular Cryptid.