Getting busy again here, which is probably good because I...
Getting busy again here, which is probably good because I think my writing brain needs more of its space given over to percolating for a while (as opposed to 6-12 hours daily spent actually writing). I'm still going to try to pull up my WIP every day, though, no matter what.
One thing I do need to do (today) is write down a series of connections I was thinking about while running errands earlier. I've lost a little steam the past few days, and have been feeling uneasy about what I'm doing. Once I admitted this to myself, I was able to recognize that it has to do with the character arc, the emotional story.
Because: I've been losing my hold on this--the backbone of the story--as I fret and worry about structure and pacing. Also, while I'm in the middle of these Saharan scenes it's like being at the bottom of the spaghetti bowl; whatever vague, ill-formed strands surround me in this part of the ms seem to be the backbone because they're all I can see. So I was getting confused and actually starting to think I needed to recast something at the front of the ms in order to establish something else in the spaghetti/Saharan part.
No. I do not. Away from the ms, running errands in the car, I was able to remember what my MC's real problem is, what the reader wants for him, and to see that events from the late-middle of the ms through the end actually take him through the exact steps he needs, in order to get what the reader wants for him. I do not need to recast anything. I do need to keep this wasteland part from throwing the whole ms off course.
So today I need to sit down and write out what I was thinking in the car and get it more ingrained in my head to lessen the risk of losing it. It's important. Important enough that I was thinking maybe I should go ahead and try writing from the late-middle scene that kicks off the last part of the emotional/character arc, and just forge ahead as far into the end as I can get, scene by scene and chapter by chapter. Just to have it on paper, just to make sure I don't lose what's truly driving the story from beginning to end.*
If I do, it won't be today, though. Today I'll just scribble my thoughts and get them organized and maybe bold and/or capitalize some of the headings for good measure. Anything, to get it to stick. I need something marking the end of the course, or I'll wander off into the bushes.
*Also, now that I've changed who plummeted, and moved the plummeting bit farther back in the ms, a key scene is probably in place--the scene that sets off the entire ending.
One thing I do need to do (today) is write down a series of connections I was thinking about while running errands earlier. I've lost a little steam the past few days, and have been feeling uneasy about what I'm doing. Once I admitted this to myself, I was able to recognize that it has to do with the character arc, the emotional story.
Because: I've been losing my hold on this--the backbone of the story--as I fret and worry about structure and pacing. Also, while I'm in the middle of these Saharan scenes it's like being at the bottom of the spaghetti bowl; whatever vague, ill-formed strands surround me in this part of the ms seem to be the backbone because they're all I can see. So I was getting confused and actually starting to think I needed to recast something at the front of the ms in order to establish something else in the spaghetti/Saharan part.
No. I do not. Away from the ms, running errands in the car, I was able to remember what my MC's real problem is, what the reader wants for him, and to see that events from the late-middle of the ms through the end actually take him through the exact steps he needs, in order to get what the reader wants for him. I do not need to recast anything. I do need to keep this wasteland part from throwing the whole ms off course.
So today I need to sit down and write out what I was thinking in the car and get it more ingrained in my head to lessen the risk of losing it. It's important. Important enough that I was thinking maybe I should go ahead and try writing from the late-middle scene that kicks off the last part of the emotional/character arc, and just forge ahead as far into the end as I can get, scene by scene and chapter by chapter. Just to have it on paper, just to make sure I don't lose what's truly driving the story from beginning to end.*
If I do, it won't be today, though. Today I'll just scribble my thoughts and get them organized and maybe bold and/or capitalize some of the headings for good measure. Anything, to get it to stick. I need something marking the end of the course, or I'll wander off into the bushes.
*Also, now that I've changed who plummeted, and moved the plummeting bit farther back in the ms, a key scene is probably in place--the scene that sets off the entire ending.
Published on August 08, 2011 08:20
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