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I have an ms where the MC also deals with panic attacks. While some people who may not get it, the ones who are familair will def relate. 3 things I look for in a book are: voice-a strong goal-and tension that keeps me wanting to turn the pages.Great post!
I believe it's less in the concept and more in the execution. In short, nearly anything can work, if it is well written.
While some people who may not get it, the ones who are familair will def relateVery true. I had to double check my heroine's reactions with a close friend who has social anxiety.
I believe it's less in the concept and more in the execution.
Good point.
A character with issues would not deter me from reading it. Again for me it depends on the ability for it to be woven into the story.
There are a few books where the hero or heroine has Asperger's, an autistic spectrum disorder, and I know one hero's book in particular is pubbed traditionally. So there is room in romance for mental health issues. I think a mental health concerns have to be woven in carefully, and not used as a ploy to elicit pity or brownie points. If the author only mentions the condition once or twice for the first 2/3 of the book, but later uses it as a scapegoat for the character's behavior during the latter 1/3, it just doesn't ring true to me.
The issue shouldn't define the character, though. Instead, it should be integrated into the person as just one facet of who they are.
I've actually read a novel set back in the 1800's, where the heroine was institutionalized. By the time the hero had discovered her whereabouts, she'd been there for years and had retreated into herself after experiencing horrendous abuse. For over half the story, she had the mindset of a child.
Yet it worked for me. It wasn't a pretty story, but I remember it because it was so different from anything else I had read at that time. And the author didn't gloss over it like it was a token issue.
I've actually read a novel set back in the 1800's, where the heroine was institutionalized. By the time the hero had discovered her whereabouts, she'd been there for years and had retreated into herself after experiencing horrendous abuse. For over half the story, she had the mindset of a child.Wow. That sounds intense. Do you remember the name of the book? I'm interested in reading it.
It seems like what matters isn't the topic itself, but how it's written. I'm glad to see so many readers open to the subject in romance novels.
And I hope the way I've used the heroine's anxiety disorder doesn't come across token or a ploy. In my mind, it was an effect due to trauma she'd suffered.
Thanks for the comments!
Leia Shaw
Leia wrote: "I've actually read a novel set back in the 1800's, where the heroine was institutionalized. By the time the hero had discovered her whereabouts, she'd been there for years and had retreated into he..."Hi Leia,
The book is Obsession by Katherine Sutcliffe. Her romances are often dark, and Obsession was actually one of her least liked novels, according to her reviews. But I loved it.
But it's definitely not a traditional romance. Lol, lots of readers said it didn't have much romance in it all all. But to me, the hero's love was so compelling because he loved and cared for the heroine so much. At times, I feared for his sanity as much as hers.
I'm sure your character's anxiety disorder doesn't come off as token:) As long as it's part of the storyline (doesn't have to be a huge part--really depends on the mental health issue the author chooses), and you show how she grows and handles her disorder, I think that's all that's needed.
My pet peeve is where the character has a mental illness that is never brought up again, except maybe in passing. You know, to the point where I wonder why the author threw it in at all, because it didn't really play a part in the storyline at all. That's what I meant about 'token'.
I think that certain mental health issues are considered more acceptable in the world of romance than others. A lot of the books that feature military heroes, also have him battling with PTSD in some form. Of course it's rarely addressed in more than a cursory way, possibly because it's a tool used to add dimension to the character not a primary plot device for the novel. Female characters tend to have depression and more rarely bipolar. For instance, the moody mother, who retreats to her room often, cries incessantly, and dies after doing something reckless. Or a heroine with a phobia of darkness or enclosed spaces. All of these issues are serious, but easier to make secondary than something like schizophrenia. It'd be great to see a book dealing with other more stigmatizing issues like that or substance use. If done properly, I think it can be a beautiful story and a nice change of pace from a kidnapped heiress or vengeful villain.
Shh I'm reading - LOVE your profile name!It'd be great to see a book dealing with other more stigmatizing issues like that or substance use.
See I would totally agree in a literary or regular fiction novel. But in romance, I wonder if it would be too heavy.
But I suppose it depends on what mood the reader is in. If I'm in a sexy mood, I read an erotica. If I'm in the mood for something light and fun, I'll read Janet Evanovich or a funny historical. Dark and heavy, I'll read Christine Feehan. For a challenge I've been thinking about tackling The Game of Thrones series (though that's not romance). I guess there's a time and a place for everything.
a nice change of pace from a kidnapped heiress or vengeful villain.
Ditto that! Lol!
Leia
Hi Leia-Thanks for the compliments on my profile name.
I don't think that dealing with those issues would make a romance novel too heavy, but it would definitely be challenging to do it right. Lisa Kleypas did a beautiful job with Married By Morning creating Leo as a character with a dark past, although his past wasn't central to his story (and was more prominent in other Hathaway novels).
It depends on what mood the reader is in
I absolutely agree!
I like having characters who are challenged by mental illness - just not defeated by it.I'm not much for the 'serial killer' types of pyschosis that creates villains. But PTSD, bipolar, anxity and substance abuse don't stop the Main Characters from being sympathetic.
However, the writer has to be able to handle the issue without overkill or 'tokenism' - when they do it makes for a really good story.
thanks for chiming in K.A.! i agree - watching a character live through the challenge or blossom because of the challenge can be wonderful. defeated by it, unfortunately, is sometimes a reality but a downer to read.



Nichelle