"Writing What You Know" by Greg Herren

My first creative writing class in college was a disaster.

It was also the first time in my life I was given the seminal writing advice “write what you know.” (I got a C in the course, and I often tell this story in interviews; my instructor called me into his office after I turned in my first short story and told me I would never be a writer, but as an English major he would have me a C rather than the F I deserved. Over thirty novels and fifty short stories later, I find that amusing now. Back then, it was horrific.)

This is one of the standard tropes from every single creative writing class, every book on writing, and I seriously wish I had a dollar for every time I’ve heard it, seen it, read it, or have actually said it.

It took many years to understand what that truly meant. At the time, I thought it meant garden-district that writers couldn’t write about anything outside of their experience.

(Read the rest at: www.motivemeansopportunity.wordpress.com
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message 1: by M.J. (new)

M.J. Payne Writing what an author "knows about" is good advice, but as both you and E. Michael Helms pointed out in the MotiveMeansOpportunity blog that you reference and I read, it can be used as a springboard in character development to know what drives a character and give that character depth. I don't take it as a literal rule but as a writer's experience being a kernel that a character is wrapped around and extends his/her presence and realness through.

We want to draw the reader in and make them care about the characters and what happens to them. What better way than to mine our own feelings and experiences and with a twist, pop them into our characters. People respond to depth, feeling, and realness. Using our experience in some form allows others to extend their own experience vicariously through what we have creatively shared. Greg Herren, that was an excellent post on MMO and I enjoyed it. Thanks!


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