* constellating with danielle cadena deulen

ouremotions_bThis week I’m sharing a poem from Danielle Cadena Deulen’s book Our Emotions Get Carried Away Beyond Us which I reviewed earlier this week.


In my review I focused on how the poems in the collection have a particular way of approaching the self as a moment of awareness and interpolation. This week’s poem, “Constellation,” does this work via the immediacy of a speaker engaged in an address of memory and revelation. By weaving the narrative of a specific memory with the narratives the speaker carries about their friend, the poem creates its own constellation of vivid recollection.


What holds these materials together is the box-like conceptual form, which begins with the first words of the poem: I close my eyes and it’s you with the boy. From the darkness behind the speaker’s eyes arises the memory of the friend with an immediacy and emotional charge that evokes the book’s title; the reader is “carried” into the memories of the speaker. Yet, with the poem’s final image, which compares the night sky to a box, we are once again in darkness, captivated by the voice of the friend, who gets in the last fateful word.


Constellation – Danielle Cadena Deulen


I close my eyes and it’s you with the boy

in the rain, zipping up his pants in the green,

hulking shrubs. You, marching out


like a one-girl parade, your face so white,

red-cheeked-cold and smiling like you do when

you’ve got away with something,


while I stand there as speechless as a crushed

bottle in the lot behind the 7-Eleven with

the other boy, wating for you to return


and not kissing him because I’ve never been

kissed by anyone but you and he’s not

prety. He’s smoked four Marlboros, shamed


them all beneath a rubber sole and picked at

the pimples on his chin, asking stupid

questions like So, do you like movies? And,


Do you think they’re doing it now? As if the

thought of you unbuttoning his dirty jeans and

kneeling down in the gravel at the roots


of the bush might inspire me to prostrate

myself before him, too. You’re fast.

You’re so fast that almost no one can see you,


that flash across your face when your boy

doesn’t stumble out declaring his love, when

we don’t applaud. No one but me can see


that you think he’s left you already–like your

father, your mother’s boyfriend, the last boy

you kissed and the boy before him. You’ll quit


school before you get through them all.

Sixteen and already a gallery of lovers: Boy

with Car, Boy with Tattoo, Boy with Crystal
–later,


the boy who will leave money on your dresser

before he strides out your door, your face full

of sores, your teeth knocked out. He appears


behind you, encircles your waists, sucks on your

neck just to leave a mark. When we’re lying,

legs tangled together later than night,


I’ll touch the indefinite edges of his love-

bruise, a darkness surfacing from within your

pale skin. Of the boy, you’ll say, He says


he thinks I’m pretty, and the stars, far up

beyond a torn screen of clouds, They’re like

diamonds in a box that no one opens.


*


* insert crickets sound here *


Happy constellating!


José


*


P.S. Check out the giveaway below!





Goodreads Book Giveaway
Everything We Think We Hear by Jose Angel Araguz

Everything We Think We Hear
by Jose Angel Araguz

Giveaway ends December 04, 2016.


See the giveaway details

at Goodreads.





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Published on October 28, 2016 05:46
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