That Bruegel painting
of hunters returning
in winter, the filmmakers
go nuts for it. A sad rabbit
on a stick & more. It’s like
really in there, tonally—
a male, disappointed
group trudge towards
a more lighthearted
communal flurry, women
and children full of fire
upholding weird roofs
doing the real work.
A moment ago I moved
something (not particularly
large) to the other side
of the table and felt
so old and immense
and in control. Like a truck
crunching on its path.
I project white onto the
floorboards....
Published on October 12, 2016 09:22