The Story Always Comes First
by Mike Martin, @mike54martin 
In some ways it’s easy to write a series. You already have a frame in which to sketch your story. Usually, that means you have a general location or part of the country and you have a cadre of characters that accompany the main character on his or her journey. There’s a familiarity, a comfort in that. It makes both the writer, and hopefully the readers, want to come right in, sit in that nice, comfy chair and slide into the story.
I always have that feeling when I start a new Sgt. Windflower Mystery. Like I’m home. Then I start writing and all the characters come streaming into my head at once. It’s exhilarating and frightening at the same time as my brain tries to process both the story that is starting to unfold, and all of the voices of the characters who are asking for my attention. Sometimes it feels like the old woman in the shoe. So many characters, I really don’t know what to do. And mostly I just feel stressed and crazy.
That’s when I usually go for a walk. I need the exercise, but more importantly it clears my head so that I can see where all the pieces, and not just the dead bodies fit. The most important thing about a mystery, or any fiction writing, is the story, the plot. The walk helps quiet down the chorus in my head so I can at least keep the story straight. Once that is clear, at least to me, I can allow the character development to continue. But I’m still not running the show. The characters ‘speak’ to me and I try and fit them into the story at the appropriate time and place. It doesn’t always work, but that’s rule number one. The story comes first and the characters have to shut up long enough so that I can set the scene for them to work their magic.
The second rule I have set for myself when writing this series is to take notes about the characters and what roles they may have played in previous parts of the series. As someone who runs and writes from the seat of my pants when it comes to putting the story together, there is no way that I can remember who did what to whom without a cheat sheet. If I don’t, and I have to admit that it has happened, and more than once, some friendly, but firm reader will point out that inconsistency. Luckily for me, I have great beta readers who gladly point out my mistakes, almost always, before they get to print.
Don’t get me wrong, I love the characters in the Sgt. Windflower Mystery series. They allow me to not just write a crime solving mystery story, but to have depth of emotion and feeling that makes it human, and I hope more interesting. I know that my readers feel the same way because they tell me that they get worried about Shelia and Windflower when I let him stray too far from his kind and open heart. Just to be clear again, I don’t steer Windflower, I just help point him in the right direction. More than a few of them have also threatened me with much verbal abuse if I ever decided to kill any of the main characters off.
I tell them it’s a murder mystery and someone has to die. They just shrug and tell me to find someone else to murder. That’s the final rule when it comes to characters versus plot. Your characters can stumble, fall, make mistakes, fall in and out of love, but they can never die. Or else one of your readers will decide to write a book with you as their first victim.
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Mike Martin is the author of the Sgt. Windflower Mystery Series which is set in small communities in Newfoundland on the eastern tip of Canada. The latest book is A Long Ways from Home. It is available now from Amazon, Barnes and Noble and iTunes . Find him on Facebook.
Balancing the main story and character subplots from @mike54martin :
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