Stephanie Schneider

In 1996, Stefanie Schneider bought three boxes of old Polaroid film on Sunset Boulevard in Los Angeles. Since then, her works have been easy to recognise, not only because of the typical, square format of a Polaroid, but also due to their surreal colours. This “look” of a Schneider work remains impossible to define, because the behaviour of the chemicals during development is so unpredictable. And yet, while the works retain an element of spontaneity, the content and composition of thes...