The end of summer, diving into "deep work," and Widdershins collage #1

Howard and I are developing the practice of taking regular Work Retreats: a few days in every month in which we hole ourselves up in our respective studios, the Internet switched off and the phone disengaged, in order to focus with greater attention than is possible during ordinary interrupted working days. Today is a holiday here in Britain, but starting tomorrow, and for the rest of the week, I'll be incommunicado in my quiet studio. Then I'll be back online again on Monday, September 5th.

I'm working on a writing project right now, while Howard has several things on his plate, from Commedia to puppetry. Come step through the gap in the garden hedge that leads from my studio cabin to his....

...where you'll find him at work (in the picture below) building the frame for a Punch & Judy booth.

Each day, a wide range of sounds floats over the hedge from his busy workspace to mine: sawing, singing, accordion or mandolin practice, the laughter of theatre collaborators. the distinctive raspy voice of Mr. Punch...

...a steady murmur of creativity that is close enough to feel companionable, yet distant enough to preserve the peacefulness I crave as I write or paint.

Meanwhile, the Widdershins exhibition at Green Hill has ended -- and I do remember that I promised to share my art for it here once the show had closed its doors. Below is the first of my six Widdershins collages. I've set up the other five for automatic posting each morning of the week ahead while I'm on Retreat, one per day.

This one is called Once Upon a Time....

Here it is framed in my studio before the exhibition, and on the wall at Green Hill with the other five pieces in the series:

I hope the end of your summer is gentle, peaceful, and full of creativity. See you in a week.

"Sometimes I need only to stand wherever I am to be blessed."  - Mary Oliver