Keith Miller’s The Book of Flying (2004) seemed like the language-focused, flighty (ha!) novel I was in the mood for, complete with a glowing blurb from Ursula K. Le Guin splashed on the cover. And it was that, to a certain extent: it read easily, evoking a dream-like, metaphor-heavy world devoted entirely to artistic creation, fully of lovely imagery and wonderfully weird landscapes. Still, there were aspects that grew more and more irritating as I read on, causing eye-rolls and muttering t...
Published on May 08, 2016 12:51