I’m at First Things, reviewing Beyoncé’s visual album “Lemonade,” which does a remarkable job telling a story about a marriage that is wounded, but not unmade, by betrayal. “Hold Up” is still dreamlike, more of an imagined, idealized anger than actual rage. Beyoncé doesn’t take second swings at her targets, she seems to have no particular
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Published on May 04, 2016 09:42