DUNCAN JONES' MOON

My favorite sf on film usually consists of brief luminous moments in what are generally rather low-budget and often actually very bad movies. The outstanding big-budget exceptions of course being Alien and Blade Runner. Duncan Jones' Moon challenges my aesthetic of brilliant pebbles, though, because it's so tightly and consistently excellent. It does everything I want an sf film to do, and none of the things I don't want an sf film to do. How did *that* ever happen?