See Her Way Into Daylight
My writing was beginning to come back to me as I marked time in the sweltering heat of a Costa Rican summer. I had been making notes about the sky in Panama City Beach during the raucous Memorial Day weekend trip, and I decided to try to work them into a piece of narrative one afternoon while Jim went to the hardware store to get supplies. He climbed into a rickety truck he'd borrowed from one of the villagers named Donald because the old F-150 had been totaled by one of the priests—no surprise there, as driving had never been a strong suit of the clergy in Costa Rica.
We'd been mostly catching rides from people as we traveled between towns, and more times than not we suffered through vehicles like Donald's. I wasn't a car snob by any stretch of the imagination—the ugly brown-gold Vega I had in high school proof that I'd drive anything—but I did feel that penny-wise/pound-foolish treatment of a piece of transportation was just plain silly (Okay, I know that love affairs between guys and their cars are legendary but this is an altogether different subject!). If a vehicle was meant for getting one from point A to point B, shouldn't it do so in a modicum of comfort and dependability regardless of its appearance? Apparently not in life according to Donald, who had recently had his truck repainted—a bright red color with a giant yellow and black zigzagging stripe taking over its body so grandly that the paintjob screamed, "My next life will be lived in Las Vegas!" In order to afford the makeover, he'd ignored the lack of padding in the seats, which meant the body took a beating careening along the bumpy roads. He had also ignored the engine that coughed and the clutch that stuck so unmercifully that the stick shift beneath the floorboard must have been worn down to the thickness of a swizzle stick. We were basically riding along in a very pretty tin can with a passenger-side door that would only open from the inside, and a driver's side window that would not roll down. I suppose it won't surprise you that he was gushingly proud of his ride!
As I contemplated what to do with my writing, the only other person around was a local laborer Jim had hired who spoke only Spanish. He had a bitter expression stamped on his face that made me slightly afraid of him so I ignored him as I massaged the material, hoping he would give me the same courtesy. Staring at the page with my scrawling handwriting on it, something occurred to me that I should have realized before but had not: I had a tendency toward personification in my writing. The notes I'd made in Panama City Beach were proof: "The sky presents a checkerboard this morning. Sections of dark and light march from the ocean as if a known pattern had been predetermined. Maybe there was a director just offshore, giving each parcel of sky its dancing orders so that the segments would prance and twirl in pretty order. This is the type of day I long to have tucked into my routine—a day when everything feels moist and beautiful; a day when I can sit on the sofa and read, and no one will think ill of me. The ocean knows how to escape the jouncing mental activity of life: she whispers it every day—her breathy foam cascading, the chorus one of dark and light, of wetness, of persistence, of murmuring hypnotic laziness. She sings to me that it's okay. I want to sing back but I have no idea what to say."
As I scratched out words and jotted ideas into the margins of the overly messy sheets of paper, I heard the crunch of tires on gravel. I didn't think much of it until I heard Jim yell, "No!" as forcefully as he could. He jumped out of the truck so quickly I wondered if he'd remembered to put it into park. I followed his angry gaze and saw why he was so upset. The man he'd left laying block was sawing off the rebar that was protruding from the top block at the edge of a window opening. I guess it was the first time the laborer had seen rebar and he didn't realize that if the stabilizing steel wasn't running through the heart of the blocks, a strong earthquake could tumble them like they were children's toys. Jim stood there with his arms akimbo, shaking his head while the man kept on sawing. Since no one within shouting distance spoke Spanish but the laborer, there was no way for Jim to get it across to him that he shouldn't be removing the rebar. Yelling "no," which he understood perfectly, mattered not for whatever reason as the spiteful man defiantly moved his blade rhythmically across the metal, each grating pass causing Jim to wince.
With the laborer's ineptitude, Jim's mood turned dark so I tried to stay out of his way. I did so that evening by losing myself in revisiting "Mornings at Lakeshore"—the series I'd started and then abandoned. I figured the writing would help me to feel closer to home and maybe—just maybe—at some point would gel into a collection of poems. But even if all I gained were a couple of hours for pleasing explorations, it would have been time well spent.
I sat at the kitchen table of our jungle house, positioning my notebook to catch as much light as I could from the bare bulb hanging from its socket in the ceiling, and remembered home where there was beauty at the edge of a vibrant lake:
• Her eyes sparkled yesterday like a satin dress of brilliant blue. She peeked at me from between the rooftops as I climbed the hill, her sunny sheen illuminating everything around her like a dazzling smile. She is dark now, as it is too early for her to show herself. The streetlights twinkle on her surface as if hinting at the glittering eyes she will use to see her way into daylight…
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