I don't usually indulge in this sort of thing, but Elizab...
Three's Inheritance
I appear to you in this amalgamation, alive eternally
in that facet of myself not subject to fire, hovering
like grace over precious metal. With a gentle finger
unclasp the watch face I transformed with garnet,
amethyst, and diamond into a brooch, numinous,
my body alive again. And you, in your thirtieth year,
will hold it like a dead baby, old already, turn it
over to see, scratched with the point of a pin, 1870.
I don't remember. I only know. I asked a jeweler
to set pearls in a horseshoe on the roman numeral
which is lucky (three), and on the twelve and six,
enameled flowers meant to mean the hours I spent
blotto, a house and garden, divorce, a tennis court
all refracted in my menagerie of jewelry. I hope
skin has memory and your lapel is whispering
this legacy: the sun was once a vain and stupid girl.
I was once your mother's mother. Now metal,
my body's returning to ticking toward irreversible
fortune, ever closer to its conclusion: I'll not live
to see forty. I'll die having known you intimately
though we never held hands, never alone together
burned in the dark of the movie house, Liz Taylor
and Monty Clift, her dignity and his brokenness,
brilliantly manifest in their one-in-the-same face.


