They're just words on a page

There is a point while I'm editing where I lose track of the story, the scene, and I'm staring at words on a page.

I'm there now. I can evaluate sentences, but the effectiveness of scenes are beyond me, and I cannot sort it out in context with the book. So when someone asks, how is the book coming, I truly have no idea. I'm so caught up in the trees, I barely know the forest exists.

I know there was a point where I could read scenes and chapters and point to what was wrong. But that point is not where I'm changing words, and I'm really concerned I can't get back there. Because when you've read a scene four, or five times, it stops making sense within story context.

I always feel like my threshold for this is lower than other writers. That I get to this point faster and get immersed in it easier. I know writers that can edit and edit and love to do this and truly have an amazing impact on the book, while I know after a while, I'm changing words and nothing else.

Other than time away from the book, does anyone have any good tips for editing without losing focus on the story?
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Published on March 11, 2011 06:22
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