Give Up to Get Ahead: An Obscure Mystery Novelist Briefly Explains How to Quit Writing a Novel in Order to Grow as a Writer

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Give Up to Get Ahead: An Obscure Mystery Novelist Briefly Explains How to Quit Writing a Novel in Order to Grow as a Writer http://bit.ly/1QSddoF

Discipline trumps talent.

That’s my motto, anyway. You want to be a mystery novelist (or any kind of writer, for that matter) you need to work on your craft. Every day. No exceptions. No excuses. You need to apply your posterior in a chair and type, and type, and type, and stare out the window, and think, and then keep typing until something good appears on that stupid little white screen.

But here’s the rub: a good bit of what you write will, I can assure you with supreme confidence, be crap. At first. Write it anyway. And then edit. And then drink–for courage to soldier on.

Inspire.

So today’s post is meant purely to inspire those of you struggling to write your first book (or your second, or your eighteenth). Below is the first 350 words or so if my first attempt at a mystery novel. I wrote another 30,000 after this, but what you’ll read below is the only bit worth saving. The rest was crap, but writing that crap taught me something invaluable: that I had a “voice.” I just didn’t have anything else yet. The rest of it I would have to work on, and you should, too.

So enjoy this tiny glimpse into my first big failure as a writer.

Say you’re fifty-six years old and you’ve got something you love that isn’t a wife or kids. Suppose it’s a restaurant: a huge hollowed out sailboat made of eighty-year old oak that’s docked in an inlet on the North Carolina coast. Call it SHARKEY’s. Picture a cartoon-y-looking killer shark with white fangs painted on the hull outside. Three massive white sails up top, flapping in the breeze. Go inside and order a strong pomegranate margarita from Kitty, the bartender. Check out the autographed glossies of Jack Nicholas and Catfish Hunter behind the bar. The circular windows to starboard offer a peephole view of the water. Creaking floorboards and the smell of saltwater make you feel like you’re walking the plank for Blackbeard. There are tuna steak sandwiches and homemade potato chips on the menu, plenty of Handy-Wipes for the greasy fingers. When the weather’s nice, a solid eight months out of the year, there are picnic tables on the rectangular deck facing the water, a long pier adjacent to work off those extra jumbo shrimp.

Now, picture yourself there, with your old man paunch, a full head of gray hair, and most of your own teeth. You flash those sparklers at everyone, wear Levis and boat shoes the whole year ‘round. Like most poor boys that figured out a way to keep your belly full, you take pride in your work. Slapping high-fives with little sluggers in ball uniforms. Refilling sweet ice tea for the red-faced tourists. Lying to the Country Club Set about your single-digit handicap, all the fish you’ve caught. You turn a healthy profit and keep a bulk of the cash in a wall-safe at your second-story condo overlooking the Atlantic. But somehow you pick up bad habits like drinking Jim Bean before noon and blabbing to everyone about your nest egg. It isn’t long before someone cracks your safe and now the IRS says you’re in arrears.

So, about to lose the one thing you love, what do you do?

The answer: you invite Jack Burns, local millionaire and quasi-philanthropist, and his idiot son, Greg, over to your bar to see if there is anything you can do to help get Greg elected the Mayor of Kill Devil Island next week.
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message 1: by M.J. (new)

M.J. Payne I read a number of your comments on the mystery writer blog. That is a practical and fun collection of musings. Writing in first person is powerful, as you say. It forces some strange revelations out of the protag. Very nice blog. I like it! Lots of food for thought.


message 2: by M.J. (new)

M.J. Payne Ugh I'm screaming! I just got that novel to the point of being at a long (one of last) edits and now I see I have to RE-WORK the whole freaking thing!! I wrote it in third person for a lot of good reasons but I realize it won't do. Oh it could do. But I wrote "Self" in first person present from three-4 yr. old dissociating child's point of view to eliminate the need for adult descriptions of the actions. I think that's where the power comes from. Since "Fulcum..." is from adult view I have to deal with "some doors I'd rather leave shut" as you wrote. I can't leave them shut in first person. Remarque appears always to use first person. Then you mention it. The book IS fiction. sorta. But not emotional fiction. g+ is the subconscious plot. I suppose it's the rough draft. It scares me. I'm afraid to write it. All the blasted marketing is so time consuming. Was there ever a well-written book with explicit sex, an adult book? If so I haven't read it. The childhood stuff just grows up with us it never goes away. "Fulcrum of Desire" is the adult version of how the blunt force of childhood experiences twist and turn. No matter that I destroyed all my college notebooks, tore up all the artwork and burned it in the fire it is still as real as if I never did it. I don't know what made me think it would make it go away. I guess it's got to burn through me. Sorry. I thought maybe you'd like the truth given how you wrote "Proud Bastards" and how much you like Remarque. It takes everything to produce it as experienced.


message 3: by E.Michael (new)

E.Michael Helms Yikes, an entire re-write! Are you sure? Third-person can be effective. I certainly wasn't trying to influence you to go first-person. You know what YOU have to do. Go with your heart and soul.
--Michael


message 4: by M.J. (new)

M.J. Payne I know you weren't. I'm thinking on it. I think I'll write a scene from first-person and see how it goes. The problem is the dissociative identity thing in the protag. She splits. And she's unconscious during important scenes. I will go with my heart and soul. I always do. Please note, I appreciate nudges you have given very much. You are so talented, polished and accomplished that it inspires me to write my best. I need nudges from time to time. It doesn't matter if they lead me to question what I'm doing.


message 5: by M.J. (new)

M.J. Payne Thanks :-)


message 6: by E.Michael (new)

E.Michael Helms (M.J. wrote): You are so talented, polished and accomplished that it inspires me to write my best.

Okay, now you're making me blush (uncomfortable). I've never taken compliments well (something my PTSD counselor and I talked about many times). I simply don't see where what I do is any big deal. I write; I've had modest success. It is what it is. My life experiences are to be credited (blamed?) for who I am and what I do. I've simply learned (finally!) to go with the flow. :-)


message 7: by M.J. (new)

M.J. Payne Oh, I am sorry to make you blush. That would be interesting. You should learn to take compliments better as you have done much with your writing and are not the best judge of what you do for the writing you have done ( which is much) and the important things you do personally for other writers who have done less and who struggle with the ghost of PTSD. It is midnight and I have had some wine and feel better for it. There is a storm and lots of lightning. I really hope you understand how important it is for people to have someone to write to and nudges when they need them and to feel there is some contact in a world where writers, who are sensitive creatures but durable do have a struggle with things others don't deal with. Go with the flow and you never know if your success is modest or not. I say it is not modest. I dare say I know good writing when I see it and much better than good as well. I say soak in the comments and let the thank yous (is that a word) refresh your being and know that you are needed and blessed with special talent. I mean what I say and even more after some wine. :-) If everyone had such modest success we would all be happy. Don't let the PTSD take away from it.


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