In “Demolition,” Gyllenhaal & Company Shine Through a Strained Metaphor

Demolition (Jean-Marc Vallée, 2016) The last few years have been good to Canadian director Jean-Marc Vallée, with Dallas Buyers Club, in 2013 (nominated for 6 Oscars and winner of 3), and Wild, in 2014 (nominated for 2 Oscars, though winner of none), both bringing him well-deserved acclaim. Though each a little heavy in their respective melodramas, they feature […]