Announcing the Final List of Contributors and Tropes for Upside Down

Less than 48 hours to go, and I couldn’t be happier with the way the Upside Down: Inverted Tropes in Storytelling Kickstarter has gone. We have over 1,000 backers, and today I am happy to announce the final list of contributors. I’ve contacted everyone on the short list that I had contact info for, so if you do not have a response please let me know and I’ll be happy to follow up. Jaym and I are concerned about ensuring all of our authors are treated well; the caliber and quality of stories we received was nothing short of fantastic, and our decisions were very difficult to make.

Short Story & Poetry Contributors

Kat Richardson, Maurice Broaddus, Michael Underwood, Anton Strout, Shanna Germain, Ferrett Steinmetz, Haralambi Markov, Valya Dudycz Lupescu, Alyssa Wong, Nisi Shawl, Sunil Patel, Rahul Kanakia, Sara Harvey, John Hornor Jacobs, Delilah Dawson, Adam-Troy Castro, Alethea Kontis, Katy Harrad & Greg Stolze, Alisa Schreibman, Alex Shvartsman, Rati Mehrotra, Elsa S. Henry, Michelle Lyons-McFarland, Michael Choi, Michelle Muenzler, and Michael Matheson

Tropes Examined

Asian Scientist, Blind People are Magic, Chainmaille Bikini, Chosen One, Damsels in Distress, Epic Fantasy, First Period Panic, Gendericide, Girlfriend in the Refrigerator, Guys Smash, Girls Shoot, Heroine Loves a Bad Man, Jewish Magic, Love at First Sight, Manic Pixie Dream Girl, Prostitute with a Heart of Gold, Retired Pro’s “Last” Job, The Black Man Dies First, The City Planet, The Magical Negro, The Power of Names, The Singularity will Cause the Apocalypse, The Super Soldier, The Villain Had a Crappy Childhood, World Ends/Sets/Reboots, and Yellow Peril

Essayists

Patrick Hester, Lucy Snyder, A.C. Wise, Victor Raymond, and Keffy Kehrli

Essay Topics

Are Tropes Bad?, an examination of Detta/Odetta from The Dark Tower series and how it relates to the gothic trope Jekyll and Hyde, the differences between the hero’s journey and the heroine’s journey using Labyrinth as an example, tropes from a queer (LGBTQA+) perspective, and the intersection of race and culture with respect to tropes and cliches.