For me, traditional publishing means poverty. But self-publish? No way
Life as a professional writer is financially depressing, and I’ve often been advised to self-publish. Here’s why I won’t do it
A few days ago, I wrote a piece on my blog exploding the myth of the rich writer, and laying out (in terms the Royal Literary Fund described as “ruthlessly mathematical”) what authors actually receive when you buy their books. The simple answer for many of us is nothing at all, after that heady advance in the case of my most recent novel, which was £5,000 for two years’ work.
The blog was widely shared on social media, and viewed by nearly 10,000 people in its first week. The shock, agreement and commiserations were followed swiftly by people telling me what I really need to do is self-publish.
Related: The Marlowe Papers by Ros Barber – review
#Bestseller: ARRANGED MARRIAGE https://t.co/GYO5Sxgwa2 #IAN1 #amreading #ASMSG #romance #IARTG #BYNR #PDf1 #readers
Related: Devotion by Ros Barber review – the conflict between religion and science
I do not earn much as a traditionally published author but I earn more than I did as a self-publisher. I published 7 books in 4 years and in that time only one of them went into profit – and that less than £100. And before anyone says it’s because I didn’t work hard enough, my friends and family who barely saw me for 4 years will tell you that I worked my butt off. So hard in fact that I attracted the attention of two separate traditional publishers who took me on (one for my adult books, one for my children’s books).
I could no longer take the feeling of inadequacy every time I read an article by a self-publishing success story telling me if only I worked harder and smarter, did all the right social media promotions, spent 90% of my time marketing and only 10% writing – oh and subscribed to their blog or downloaded their latest how-to manual – I too could earn at least 5 figures a month. But the reality is, of dozens of self-publishers I knew, I was probably the most successful.”
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