Garth Greenwell reflects on the summer he spent in Madrid revising what has been dubbed the ‘great gay novel of our times’: his debut, What Belongs to You
Every book has its own texture, materiality, and topography. This is not only metaphorical; the process of creating a novel produces all sorts of flotsam–notes, sketches, research, drafts–and sifting through this detritus can provide insight both into the architecture of a work and into the practice of writing. Blunderbuss is excited to run this series, in which we ask writers to select and assemble the artifacts of a book in a way that they find meaningful and revealing. In this installment, Garth Greenwell reflects on the summer he spent in Madrid revising his debut novelWhat Belongs to You.