Kenneth Oppel's Blog, page 6

The Sketchbook of Victor Frankenstein

Artwork copyright Sophia Oppel
In his youth, Victor Frankenstein kept a sketchbook, in which we can find some clues about his life and secret adventures -- as chronicled in THIS DARK ENDEAVOR...

THIS DARK ENDEAVOR Book Tour Dates

No, I won't be going to Belize on my tour, but how often do I get to stand atop a Mayan pyramid?

Here are the initial dates for my Fall book tour. More dates and details to  come:









SEPTEMBER


ATLANTIC CITY, NJ
NAIBA (New Atlantic Independent Booksellers Assoc.)
Breakfast Speaker
September 20, 2011

PHILADELPHIA, PA
Towne Book Centre event
details tba
September 21, 2011

GLEN ROCK, NJ
Books, Bytes & Beyond
details tba
September 22, 2011

TORONTO, ON
Word on the Street,
Queen's Park
Bestsellers Tent
12 noon
September 25, 2011


OCTOBER

VICTORIA BC
School and Library Visits
October 3-6, 2011

VANCOUVER BC
Vancouver Kids Books
West Point Grey United Church Sanctuary
4595 West 8th Avenue
October 6, 7:00 pm

BOSTON, MA
October 14-15
details tba

BALTIMORE, MD
School Visits
October 19-21, 2011

BALTIMORE MD
Books for the Beast Conference
Keynote Speaker
October 22, 2011

AUSTIN TX
Texas Book Fair
October 23, 2011
details tba

NOVEMBER

CHICAGO, IL
ALAN Young Adult Literature Conference
November 21-23, 2011

THIS DARK ENDEAVOR: The Book Trailer!

It's Alive!!

Feel like more monster in your life?

I'm very pleased to announce that my latest book THIS DARK ENDEAVOR: The Apprenticeship of Victor Frankenstein goes on sale today in the United States.

For my fellow Canadians, it will be published next week on August 30th by HarperCollins.

And to my British friends, you will alas have to wait until October 6th when it will be published by David Fickling Books/Random House. But that will just give you time to read Mary Shelley's gothic masterpiece Frankenstein.

Here's what reviewers are saying so far about the book. (And by the way, whenever you see those .... ellipses in a review blurb, it means I'm just skipping ahead to the next really good bit, or deleting something mean or silly the reviewer said. You'd be amazed at how even the stingiest, most negative reviews can yield at least one good pull quote. Trust me.)

"In this stylish gothic tale, teenage Victor Frankenstein makes a desperate attempt to create the forbidden alchemical Elixir of Life, in order to save his beloved twin brother, Konrad, from an untimely death.... Oppel hews closely to the Frankenstein mythos, and with a delicious mix of science, history, and horror, he peers into the psyche of a young man who is beginning to hunger for greater control over life and death. Publishers Weekly (starred review).


"As a prequel to Mary Shelley's gothic classic Frankenstein, this is both meticulously researched and highly original.... Written from Victor's perspective and filled with his believable internal moral struggles, Oppel's novel is a gripping tale of undying devotion, mixing hope with foreboding. Horn Book (starred review)

"Dark psychological drama is the main engine here: Victor's determination to succeed is as much an urge to outperform Konrad as to save him. Oppel grapples with the human duality of animal and soul in ways that recall (but don't repeat) Shelley's similar thematic explorations as he revitalizes the classic horror tale for a new generation." Bulletin of the Center for Children's Books (starred review)


"A dark and dramatic back story for Shelley's tormented creator." Kirkus Reviews

"Brash, jealous, and arrogant, Victor is sweet relief from today's introspective YA protagonists, and one can easily visualize how this teen becomes the mad genius of Shelley's Frankenstein." Booklist


"Oppel has reinvented the gothic thriller for modern readers. The narrative crackles with tension, emotions run high, and the atmosphere is perfectly dark and brooding. The Shelleys would be proud. I definitely recommend you check out the book when it's published August 23. I anticipate This Dark Endeavor will get a lot of attention, and rightly so." Rick Riordan, author of  the Percy Jackson series

Kenneth Oppel takes a holiday

This is me, working really, really hard on my next novel. With a looming deadline, I did what any self-respecting writer would do: I took my family on vacation. Wandering around Venice was much more fun than staring at my computer screen, trying to puzzle out my tortured characters' motivations, and wondering why that bit in the middle isn't nearly as exciting as it should be.
You'd be hard pressed to find a more spectacular city than Venice. You don't even need to try to find beautiful things. There are, of course, the many splendid vistas across the Grand Canal, but (and this is my favourite thing to do) just wander anywhere and you'll discover small streets and little squares and quiet bridges and, everywhere, the beautiful decrepitude that Venice has had centuries to achieve.
So by all means, start with the Piazza San Marco. After all, it's been in James Bond movies and stuff, so you kind of have to see it. The Basilica looks like this:

My advice: take in the square and Ducal Palace, the pigeons, the quarter of a million tourists -- and then get out of there. As quickly as possible. Of course, if shopping really turns you on, nearby you'll find shops like Bulgari and Prada and Gucci where you can see handbags and clothing so appallingly silly and ugly that it shakes my faith in the human species. But that's just me.
The farther away from the square you get, the more interesting the city becomes, especially as you find the small streets and neighbourhoods where there are real shops (that sell, um, food and vacuum cleaners and stuff) and real apartments where real Venetians live.
You can usually tell the real Venetians easily from the tourists, especially the women. They are often very well dressed, smoking furiously while talking into a cell phone and walking with terrifying speed, while emanating a thought bubble that very clearly reads: "Get out of my way, or I will kill you with the stiletto heel of my designer shoe."


The other cool thing about finding a quiet local square, say to have lunch on a red bench while your littlest daughter chases pigeons, is that you will come across real signs of the real city, like this garbage can with very helpful and specific information on it, about what NOT to put inside. I myself witnessed some locals trying to stuff their entire refrigerator into the can, without success -- but it didn't stop me from, later that night, cramming in an ugly armchair which was taking up too much space in my hotel room.


Unless you want to seem like The Grinch, you can't really take your family to Venice and not go on a gondola ride. It's pricey, but the boats themselves are really beautiful (see the seahorse detailing on the left) and you get a unique vantage point from the waterline. If you're lucky you might see a rat scuttling out of sight from the arrestingly jade-coloured water (I didn't see one this time, but did last time. Maybe they've been drinking too much jade-coloured canal water.)













Wander around enough and you can actually see the place where they make and take care of the gondolas.
And remember how I said everything was beautiful in Venice. Here, on the left, this is not a church (as I first thought). This is their civic hospital. I have no idea if the facilities inside are similarly baroque. It's kind of hard to imagine getting really top notch brain surgery here -- but I bet they're really awesome at applying leeches and dispensing edifying elixirs.







Oh, and remember how I said the best thing in Venice was just to wander around. Yeah. Just bring a map. The place is a maze. Here I am, trying to look nonchalant as I look (for the 126th time) at my map, trying to figure out just where the hell I am.


















After Venice, I didn't think I'd procrastinated quite long enough, so we went off to some Greek islands,which were beautiful.

But then my various editors started getting anxious about a) where I was and b) when I was coming home and c) when was I planning on finishing the second book of the Apprenticeship of Victor Frankenstein.

So I came home.






And, oh yeah, This Dark Endeavor (Book One) comes out at the end of August... I'm really excited about it, and hope you enjoy it!

Exclusive Interview!! Shocking Confessions!!

[image error] One of my favourite Seinfeld episodes involves Jerry being invited back to his old high school to speak at career day, but as he anxiously awaits his turn in the hall outside the gymnasium, he gets bumped by a series of other speakers (who go over big) and then a fire drill scuppers his appearance altogether.

I can happily say this was not my experience when I returned last May to my old high school, St Michaels University School (SMUS) in Victoria BC for a day of speaking engagements. I was even given the lofty title Scholar in Residence! Over the course of the day I spoke to attentive junior, middle, and senior students (without any fire drills), was treated to a lunch with the librarians, the energetic head of English and a group of bright and lively students, given a tour of the very impressive campus, and made to feel very welcome by the library and Alumni staff.

And even though, during my time at the school, I was a notorious non-joiner, was guilty of shockingly poor school spirit, and generally cultivated the persona of a tortured and misunderstood artist-in-the-making, all these years after my graduation, the school was kind enough to put me on the cover of their handsome Alumni Magazine, School Ties!

Below, you will find the exclusive, candid interview conducted by my friend and former alumnus, journalist Bert Archer, in which I talk about the school, and some of my experiences, and writing in general.

[image error]

[image error]

Kenneth Oppel accepts two CLA awards for HALF BROTHER

Ruth and Sylvia Schwartz Awards 2011

Melanie Watt (best picture book winner for Chester's Masterpiece) and I pose with our impractically large prize cheques Our respective juries are off to either side: amazing kids who read, discussed, debated and chose the winning book from a shortlist of five!

Melanie Watt and I with the Solways, the relatives of Ruth and Sylvia Schwartz, the esteemed Toronto booksellers after whom the award is named.
Will it fit into the ATM or will I actually have to talk to a teller?













Doing a quick reading of HALF BROTHER in which Ben gets peed on by a baby chimp. Went down well I think.

CLA AWARDS 2011

I spent four years of my childhood in Halifax, so was particularly pleased to receive both the Children's Book of the Year Award, and Young Adult Book Award in a city that holds so many fond memories for me -- the Bookmobile on Saturday in the Sobey's parking lot, the Historic Properties, Point Pleasant Park, the wonderful old library on Spring Garden Road -- and my first viewing of Star Wars at the Gottingen Street Cinema!

Thanks to photogapher Erica Penton I have a photographic record of the evening!

Oppel's DARK ENDEAVOR film moves ahead

Matt Reeves And Jacob Estes Take On Summit's Frankenstein Film


By MIKE FLEMING
Tuesday May 24, 2011 @ 4:43pm EDT
reprinted fromHollywood Deadline

Let Me In director Matt Reeves has been signed to direct This Dark Endeavor, with Mean Creek writer/helmer Jacob Aaron Estes writing the script for Summit Entertainment. Deadline told you yesterday about a batch of films based on the Mary Shelley Frankenstein novel. Summit just took a step forward in this contest. The film is based on the Kenneth Oppel novel This Dark Endeavor: The Apprenticeship of Victor Frankenstein. It will be published this summer by Simon & Schuster, the first of a series.

In the Oppel novel, Frankenstein's twin Konrad is gravely ill. His brother seeks out a mysterious old alchemist to help him produce the Elixir of Life, a serum that will bestow the gift of perpetual health. You can't order this drink at a pub, and Frankenstein sets out on a dangerous adventure to find the elusive contents. He's accompanied by his best friend Elizabeth, who is sweet on Konrad. Things get complicated among the three of them.

Reeves, who also directed Cloverfield, adds This Dark Endeavor to two other projects he's working on. He signed recently to direct the Justin Cronin vampire novel The Passage for Fox 2000, and he's got a deal at Universal to write and direct a film based on the Ray Nelson short story 8 O'Clock in the Morning, about a man who awakens with the realization that aliens are all over the place and control society. Estes just completed The Details, the Tobey Maguire/Elizabeth Banks-starrer that sold to The Weinstein Company in a big deal at the 2011 Sundance Film Festival. Both are repped by CAA.