Jamie Mackay

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Jamie Mackay



Average rating: 3.95 · 727 ratings · 101 reviews · 4 distinct worksSimilar authors
The Invention of Sicily: A ...

3.95 avg rating — 726 ratings — published 2021 — 7 editions
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The Units

really liked it 4.00 avg rating — 1 rating — published 2013
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Eternal Hound: "A Folkore H...

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Rethinking the BBC: Public ...

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“Thanks to its strong and broadly diffused organizational hubs, the Fasci spread quickly across Sicily. By January 1893 collectives had begun to appear in the island's smallest towns and villages. In the countryside, where less than 15 percent of the population were literate, participants in the movement generally expressed their grievances and demands by appeal to religious icons. During demonstrations, for example, while some participants would chant secular Marxist rhetoric about the need for radical redistribution, others would wield figures of saints and sing patriotic songs. Sometimes these influences even fused in an unlikely manner. Hundreds in the ranks carried crucifixes and candles while, at the same time, arguing that a rich and corrupt clergy had co-opted the fundamental truth of the faith, and that Jesus was an archetype for socialism.

The composition of the cells was similarly diverse. Adolfo Rossi, a journalist who covered the revolts for the Roman newspaper La Tribuna, was particularly struck by the extensive female participation. Women, he reported, not only filled the ranks, rejecting their "usual" position in the background, they were leaders too. Girls as young as fifteen years old were on the frontlines of the movement.

The single factor that enabled the Fasci to contain such a diverse political constituency within their ranks was the strength of their internal democratic process. Each of the bundles decided their policy proposals and direct actions based on a popular majority vote.”
Jamie Mackay, The Invention of Sicily: A Mediterranean History

“Borders, though, are rarely as definite as they appear on maps. The longer you spend living around them, the less sense these kinds of simplistic divisions make. Frontiers are places where identities take on absurdly definite forms, in barbed wire fences and vigilante patrols. At the same time, they're places where boundaries between different cultures break down. Sicilian history is white, Christian and Western, certainly, but it has also been, and still is, black, Arab, Muslim among other things. Such ambiguities are present everywhere, but they are particularly visible on the shores of the Mediterranean. This is what makes the region so exciting. It's also what makes it difficult and, for some, uncomfortable.”
Jamie Mackay, The Invention of Sicily: A Mediterranean History

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