Jon Cronshaw's Blog, page 52

Jon’s Author Diary – August 7, 2023

Hello from sunny Morecambe!

This week, I took a short break to Jersey. Yes, that’s right, I swapped my author’s den for a bit of beach-side brainstorming. Sun, sea, and scribbles…oh, and storms.

While escaping the rain, we watched ‘Snow White‘ (1937) at the cinema. Nothing like a classic to make you appreciate the art of storytelling (and remind you of those dubious attitudes in the 1930s.)

Speaking of tales, I’ve got a fresh outline bubbling for Ravenglass Legends Book 3. Believe me, this one’s shaping up to be a fun series.

In the spirit of branching out, I’ve ventured into the world of Wattpad! Soon, you’ll find snippets, tales, and perhaps a few misadventures from yours truly. If I can work out how to post that is…

Finally, I’ve been reading Fear to Tread from the Horus Heresy series. Space Marines and epic sagas.. sometimes, one needs a dose of galactic grandeur amidst fairytales.

Don’t forget to hit that thumbs up, subscribe, and leave a comment down below! Your feedback’s always gratefully received.

So until next time, cheerio.

Follow jon on Wattpad.

The post Jon’s Author Diary – August 7, 2023 first appeared on Jon Cronshaw.

An Introduction to Assassin Fantasy Books: Murderous Magic and Deadly Deceptions

Assassin fantasy books have long captured the imaginations of readers worldwide.

This gripping subgenre of fantasy literature is characterised by the presence of skilled assassins, often armed with magical abilities or cunning deceptions, who are central to the plot.

In this blog post, you’ll discover the dark world of assassin fantasy books, exploring their themes and subjects, why readers are drawn to these lethal protagonists, and some of the top books and authors in the genre.

What is Assassin Fantasy?

Assassin fantasy is a subgenre of fantasy literature that feature assassins as the main characters or as a significant part of the story.

These ruthless killers often possess unique skills, such as magical abilities or exceptional combat prowess, which they use to carry out their missions.

The stories typically revolve around political intrigue, revenge, and moral dilemmas, with the assassins navigating through complex webs of deceit and danger.

Themes and Subjects in Assassin Fantasy

The world of assassin fantasy is rife with themes of power, betrayal, and redemption.

Assassins often find themselves caught in dangerous political games, maneuvering through a world filled with treachery, scheming, and shifting alliances.

They may be feared and respected, but they are rarely trusted.

Redemption is a common theme in these stories, as many assassins grapple with the moral implications of their deadly trade.

Some may seek atonement for past deeds, while others may struggle to maintain their humanity in a brutal world that demands ruthless efficiency.

Mastery of the art of killing is another prevalent theme in assassin fantasy, with assassins often honing their skills to the point of near-perfection.

This may involve the mastery of magical abilities, martial arts, stealth, and deception, as the assassins strive to become the ultimate agents of death.

The Allure of Assassins

Readers are drawn to assassin fantasy for a variety of reasons.

The lethal protagonists are often complex, morally ambiguous characters who straddle the line between hero and villain.

This ambiguity allows for the exploration of deeper themes, such as the nature of power, the price of redemption, and the limits of morality.

Top Assassin Fantasy Books

Some of the most notable books and authors in the assassin fantasy genre include:

The Assassin’s Apprentice by Robin Hobb:

This first installment in the Farseer Trilogy introduces readers to FitzChivalry Farseer, a royal bastard who becomes an apprentice to the royal assassin. Hobb masterfully weaves a tale of political intrigue, magic, and personal growth.

The Way of Shadows by Brent Weeks:

In this first book of the Night Angel Trilogy, Weeks introduces us to Azoth, a young street urchin who becomes the apprentice of Durzo Blint, a legendary wetboy (a deadly assassin). The series is known for its dark, gritty world and complex characters.

Nevernight by Jay Kristoff:

This novel follows the story of Mia Corvere, a young assassin-in-training who seeks revenge for her family’s murder. The Nevernight Chronicle is filled with brutal action, witty banter, and a captivating, morally grey protagonist.

The Throne of Glass by Sarah J. Maas:

This bestselling series follows Celaena Sardothien, a notorious assassin who becomes entangled in a deadly competition to become the royal assassin. The series is praised for its compelling characters, intricate world-building, and thrilling action.

The Blade Itself by Joe Abercrombie:

Although not strictly an assassin fantasy, this first book in the First Law Trilogy features a prominent assassin character, Sand dan Glokta. Abercrombie’s grimdark fantasy is known for its morally grey characters and gritty realism.

Assassin fantasy books offer a thrilling blend of magic, intrigue, and deadly protagonists, exploring themes of power, betrayal, and redemption.

If you’re interested in reading assassin fantasy, check out my Dawn of Assassins series.

You can read the prequel Birth of Assassins for free as part of your Ravenglass Universe starter library.

CLAIM YOUR FREE STARTER LIBRARY.

The post An Introduction to Assassin Fantasy Books: Murderous Magic and Deadly Deceptions first appeared on Jon Cronshaw.

Scott Lynch’s Revolutionary Impact on Fantasy Literature: The Influence of ‘The Lies of Locke Lamora’

Scott Lynch’s tour de force, ‘The Lies of Locke Lamora’ burst onto the fantasy scene in 2006, marking a significant turning point in the genre’s evolution.

The book, and its subsequent sequels in the ‘Gentleman Bastard’ series, introduced readers to a unique and innovative world of fantasy that has since greatly influenced countless authors and contributed to the development of modern fantasy literature.

The Influence of Lynch’s World-Building

Perhaps the most substantial impact of ‘The Lies of Locke Lamora’ lies in Lynch’s innovative world-building.

Lynch breathes life into the city of Camorr, imbued with a Renaissance Venice-like setting, complete with a network of canals, grand structures, and a dark underworld.

This type of detailed and vivid cityscape, one that is both fantastical and grounded in historical reality, has inspired subsequent authors to create rich, detailed, and believable fantasy worlds of their own.

The city of Camorr, much like a character itself, is layered, flawed, and complex.

Its distinct districts, culture, social structure, and even food, craft an immersive and palpable atmosphere.

Lynch’s approach to world-building has changed how modern authors perceive and depict their settings, encouraging them to create worlds that extend far beyond generic kingdoms and forests.

The Significance of Realistic Characters

Lynch has also made his mark on the fantasy genre through his complex, flawed, and deeply human characters.

Locke Lamora, the eponymous protagonist, is no stereotypical hero.

Instead, he’s a crafty thief with his own set of morals, which don’t always align with societal expectations.

The novel’s emphasis on character development, relationships, and moral dilemmas has encouraged authors to break away from traditional, archetypical fantasy characters, forging instead more relatable, complex, and morally grey personas.

Further, the use of camaraderie and brotherhood as a central theme adds depth to the narrative.

The characters in ‘The Lies of Locke Lamora’ are tied together by bonds of friendship and loyalty, rather than destiny or prophecy, which was previously a common trope in fantasy literature.

This has pushed authors (include myself) to explore the themes of loyalty, love, and friendship in more profound and nuanced ways.

The Impact of Lynch’s Narrative Style

Lynch’s narrative style, rich in its use of suspense, humour, and shocking plot twists, represents a departure from the more traditional, linear storytelling techniques previously prevalent in the genre.

This approach adds a level of unpredictability and dynamism to the story, compelling readers to stay engaged and constantly guess what might happen next.

‘The Lies of Locke Lamora’ also excels in its fusion of elements from different genres.

The book blends fantasy with crime, mystery, and thriller elements, creating a diverse and captivating narrative.

This cross-genre style has inspired many contemporary authors to experiment with genre boundaries, resulting in a new breed of hybrid fantasy books.

The Legacy of ‘The Lies of Locke Lamora’

Lynch’s narrative introduced a vibrant blend of genres and a distinctive approach to character and world-building that many subsequent authors have embraced.

Notably, Michael J. Sullivan’s ‘Riyria Revelations,’ Fonda Lee’s ‘Green Bone Saga,’ and Leigh Bardugo’s ‘Six of Crows’ exhibit the profound influence of Lynch’s work.

‘Riyria Revelations’ and the Bromance Blueprint

One of the distinctive qualities of Lynch’s novel is the comradery and complex relationship between Locke Lamora and his partner-in-crime, Jean Tannen.

The bonds of brotherhood that tie these characters together have created a blueprint for ‘bromance’ that is apparent in Michael J. Sullivan’s ‘Riyria Revelations.’

The protagonists of Sullivan’s series, Royce Melborn and Hadrian Blackwater, mirror the friendship and loyalty seen in ‘The Lies of Locke Lamora’.

Sullivan, like Lynch, establishes a balance of humour, camaraderie, and dark pasts in the dynamic between his characters, showing that deep, platonic relationships can serve as a strong backbone for a compelling narrative.

‘Green Bone Saga’ and the Reflection of Realism

Fonda Lee’s ‘Green Bone Saga’ series reflects Lynch’s commitment to grounding a fantasy world in realism.

Much like Camorr, Lee’s city of Janloon is a well-structured, believable world.

Lee’s decision to focus on crime families and their struggles for power within a fantastical setting mirrors the gritty underworld and realistic socio-political structures found in ‘The Lies of Locke Lamora.’

The emphasis on gang wars, politics, and crime within a fantastical setting, strongly resonates with Lynch’s Camorr and the criminal activities of the Gentleman Bastards.

‘Six of Crows’ and the Band of Misfits

Leigh Bardugo’s ‘Six of Crows’ bears the undeniable mark of Scott Lynch’s influence.

Bardugo’s story revolves around a band of misfits who undertake a seemingly impossible heist, much like Locke and his band of thieves.

Kaz Brekker, the leader of the gang in Bardugo’s novel, shares Locke’s cunning and tactical mind, coupled with a moral compass that isn’t always aligned with the law.

Bardugo’s knack for intricate planning, multiple point-of-view storytelling, and the unexpected plot twists strongly echo Lynch’s narrative style, as she takes readers through a thrilling journey full of surprises.

Each of these works, while unique and inventive in their own right, owe a certain level of their approach to the trail blazed by Scott Lynch.

From the strong bonds of friendship, detailed world-building and the intricate blend of crime and fantasy elements, Lynch’s influence is apparent in these modern fantasy sagas.

Lynch’s masterpiece has not only altered the way we perceive fantasy literature but has also served as a stepping stone for other authors to push the boundaries of their own creativity.

As such, ‘The Lies of Locke Lamora’ continues to shape the landscape of fantasy literature through its lasting influence on contemporary works.

Recommended Fantasy Reads for Fans of Scott Lynch’s Gentleman Bastard Series”

If you have been captivated by the charm and intrigue of Scott Lynch’s Gentleman Bastard series, then you’re likely seeking more fantasy books that echo its rich world-building, morally complex characters, and intricate plots.

Below is a selection of excellent fantasy novels that should satiate your craving for more such fascinating stories.

‘The First Law’ Series by Joe Abercrombie

Joe Abercrombie’s grimdark fantasy series ‘The First Law’ offers a realistic portrayal of a fantastical world, much like Lynch’s Camorr. Its morally grey characters and ruthless political machinations will appeal to fans of Lynch’s dark and complex narratives.

‘The Broken Empire’ Trilogy by Mark Lawrence

This trilogy, starting with ‘Prince of Thorns’, introduces readers to Jorg Ancrath, a character whose morally grey persona echoes that of Locke Lamora. The series is filled with complex characters, clever plots, and a dark, gritty world that fans of Lynch’s work will appreciate.

‘The Powder Mage’ Trilogy by Brian McClellan

Brian McClellan’s series is set in a world transitioning from a monarchy to a republic, and like Lynch’s work, it features a richly detailed world, complicated political intrigue, and characters with dubious morality. Its unique blend of gunpowder-era technology and magic adds a distinctive flair to the narrative.

‘Mistborn’ Series by Brandon Sanderson

For readers who enjoy Lynch’s intricate heists and complex magic system, Sanderson’s ‘Mistborn’ series is an excellent choice. The protagonist, Vin, is a young woman adept at allomancy – a magic system involving the manipulation of metals – and her journey is filled with intriguing twists and turns that will appeal to fans of the Gentleman Bastard series.

‘The Night Angel’ Trilogy by Brent Weeks

A dark, gritty fantasy series about a young street rat who becomes an apprentice to the city’s top assassin. Fans of the ‘Gentleman Bastard’ series will appreciate the dark atmosphere and layered characters.

‘The Dagger and the Coin’ Series by Daniel Abraham

This series stands out for its intricate politics and economics, as well as a diverse cast of characters. Its blend of fantasy and political intrigue is reminiscent of the power struggles in Camorr.

‘Low Town’ Series by Daniel Polansky

This series centres on a former intelligence agent turned drug dealer navigating through the criminal underworld. Its noir style and focus on the seedy underbelly of society will appeal to fans of Scott Lynch.

‘The City of Stairs’ by Robert Jackson Bennett

This standalone novel is renowned for its innovative world-building, something Scott Lynch’s fans would be familiar with. The novel’s main character, a spy tasked with solving a murder in a city where gods once lived, will resonate with fans of complex, morally ambiguous characters.

‘The Gutter Prayer’ by Gareth Ryder-Hanrahan

This book is the first in ‘The Black Iron Legacy’ series, and it takes readers into a world of gods, monsters, and thieves. Its mix of horror and fantasy elements, along with its rich world-building and focus on the criminal underworld, should appeal to fans of Scott Lynch.

If you enjoy reading about thieves and assassins, you might also enjoy my Dawn of Assassins series.

You can get the prequel novel Birth of Assassins as part of the Ravenglass Universe starter library.  

Claim your free starter library.

The post Scott Lynch’s Revolutionary Impact on Fantasy Literature: The Influence of ‘The Lies of Locke Lamora’ first appeared on Jon Cronshaw.

The Genius of Pratchett: A Deep Dive into Discworld’s Lasting Impact

If you’ve ever found yourself chuckling at a grumpy, anthropomorphic Death or a suitcase on hundreds of little legs, then you have fallen under the spell of the late, great Terry Pratchett.

His legendary Discworld series, a mirthful, satirical romp through an absurd universe teetering on the back of four elephants (all of whom are perched on a giant turtle, naturally), has left a lasting imprint on the landscape of modern fantasy literature.

But how, you might ask, has Pratchett’s peculiar brand of comedic genius influenced contemporary works?

 Well, let’s take a wander through the literary Unseen University and find out…

Breaking the Mould: Subverting Tropes

Pratchett’s Discworld, in essence, is a satirical deconstruction of fantasy, a genre often accused of taking itself a smidgen too seriously.

With a healthy dose of parody, Pratchett took typical fantasy tropes and turned them on their heads, doing a metaphorical handstand.

Take, for example, “The Colour of Magic,” where the protagonist, Rincewind, is a thoroughly incompetent wizard.

He’s not the archetypal wise and powerful sorcerer but a cowardly academic with a single spell in his head, and he doesn’t even know what it does.

The Unseen University Effect

Pratchett’s Unseen University, the centre of magical education in Discworld, parodies the stuffiness and bureaucracy found in many academic institutions.

It’s an amusing hotbed of ineptitude, where wizards devote more time to sumptuous feasts than actual magic.

This style of satire has been taken up by authors like Lev Grossman in ‘The Magicians.’

Brakebills College for Magical Pedagogy, although more ‘American fraternity’ than ‘British academia,’ embodies the same tongue-in-cheek critique of educational institutions.

Witty Social Commentary

Pratchett was no stranger to using his novels as a platform for social commentary.

He tackled everything from politics and religion to gender and racial discrimination, all neatly packaged within sharp wit and humour.

“Monstrous Regiment” is a perfect example.

It’s a delightful romp about a young woman dressing up as a man to join the military, only to discover that most of her regiment are also women in disguise.

It brilliantly challenges gender norms and expectations, all with a knowing wink.

Modern fantasy authors have taken this baton and run with it.

N.K. Jemisin’s “The Fifth Season” not only uses a unique narrative structure to tell its story but also delves into complex themes of oppression, discrimination, and social hierarchy.

And she does it with such style, Terry would be proud.

Ankh-Morpork: City of Possibilities

Ankh-Morpork, Discworld’s bustling city-state, is a melting pot of species, cultures, and ideas.

Pratchett uses the city to explore themes like multiculturalism, commerce, and urban life.

Its influence is evident in Scott Lynch’s “The Lies of Locke Lamora,” where the city of Camorr is as much a character as the protagonists themselves.

The Nanny Ogg Impact

Pratchett’s characters are wonderfully flawed, human (even when they’re not), and often, unapologetically female.

Take Gytha Ogg, known as Nanny, a witch known as much for her risqué songs and love of a good tipple as she is for her witchcraft.

Nanny Ogg’s influence echoes in characters like Kaz Brekker in Leigh Bardugo’s ‘Six of Crows.’

Both are shrewd, street-smart, and have a wicked sense of humour.

They’re not afraid to enjoy life, even in the face of danger—a refreshing departure from the stoic heroes that often populate fantasy narratives.

The Power of Narrative: Storytelling in Discworld

Pratchett often played with the idea of narrative causality—the concept that stories, once in motion, have their own momentum and tend to follow certain patterns.

This meta-narrative approach has influenced works like Patrick Rothfuss’s “The Kingkiller Chronicle,” where the power of stories and storytelling is a recurring theme.

The Luggage Legacy

Pratchett’s Discworld is known for its wacky, sentient objects—the most famous probably being The Luggage, a travel trunk made of sapient pearwood, running around on countless little legs.

This tradition of giving life and personality to inanimate objects has been carried forward by authors like V.E. Schwab.

In her ‘Shades of Magic’ series, the magical coats, which change their form according to the wearer’s needs, bear a striking resemblance to Pratchett’s sentient artefacts.

The Night Watch and Modern Morality

The characters of the Night Watch, particularly Sam Vimes, embody Pratchett’s commentary on law, justice, and moral complications.

Vimes’ character development, from a drunken night watchman to the Duke of Ankh-Morpork, resonates with characters like Sand dan Glokta in Joe Abercrombie’s “The First Law” series, where a tortured inquisitor grapples with his own morality.

Embracing the Absurd

Perhaps one of the most distinctive aspects of Pratchett’s writing is his embracing of the absurd and ridiculous.

This is a man who created a character called Death who SPEAKS LIKE THIS and has a fondness for cats.

This embracing of the absurd has found a home in modern fantasy as well.

Neil Gaiman’s “Neverwhere” is a prime example, with its bizarre characters and surreal Under-London setting.

It’s like Alice in Wonderland fell down a rabbit hole and ended up on the Underground.

The Granny Weatherwax School of Hard Knocks

Lastly, we can’t forget Granny Weatherwax, with her sharp wit, sharper tongue, and penchant for ‘headology’ instead of traditional spellcasting.

Her influence can be seen in characters like Minerva McGonagall in J.K. Rowling’s ‘Harry Potter’ series.

Both are no-nonsense, wise, and possess a firm but fair approach to their charges.

The Patrician’s Political Prowess

Pratchett’s portrayal of the Machiavellian Patrician, Lord Vetinari, is a keen-edged satire of political systems.

Vetinari’s rule, while autocratic, is surprisingly effective and popular.

Pratchett uses Vetinari to question what makes a ‘good’ leader.

This style of political satire resonates with George R.R. Martin’s “A Song of Ice and Fire,” where the struggle for power and the concept of ‘rightful’ rulership are central themes.

The Pratchett Paradigm

Terry Pratchett’s Discworld series has undeniably left an indelible mark on the realm of fantasy literature.

His unique blend of humour, satire, and insightful commentary, intertwined with memorable characters and absurd situations, has shaped the genre in ways that continue to resonate with readers and writers alike.

His legacy is a testament to the power of fantasy as not just escapism, but a lens through which we can examine our own world, one magical, absurd, and profoundly human story at a time.

Discworld continues to cast its spell over the fantasy genre, from its satirical institutions to its unconventional characters.

And we’re all the better for it.

After all, as Pratchett himself said, “Fantasy is an exercise bicycle for the mind. It might not take you anywhere, but it tones up the muscles that can.”

So, here’s to the continued toning of our mind muscles, courtesy of Discworld’s legacy.

The post The Genius of Pratchett: A Deep Dive into Discworld’s Lasting Impact first appeared on Jon Cronshaw.

From Game of Thrones to Skyrim: Are We in a Golden Age of Epic Fantasy?

We’re about to embark on a thrilling ride through the expansive realms of epic fantasy.

It’s been said that we’re living in a golden age of this grand genre, and as we venture from literature and video games, to television and film, it’s hard to disagree.

The past decade or so has brought with it a resurgence of epic fantasy that would make even the most hardened orc shed a tear of joy.

This period, brimming with magical creatures, intricate world-building, and complex characters, has heralded a revolution in how we consume and perceive this genre.

No longer confined to dusty tomes enjoyed in candle-lit, wizard-themed bedrooms, epic fantasy has soared on dragon wings, spreading its influence far and wide across popular culture.

Today, it’s as common to hear chatter about the latest dragon-slaying escapade on the commute as it is to discuss the weather.

In this thrilling expedition, we’ll delve into the staggering impact of epic fantasy on our books, TV shows, films, video games, and music.

So, pull up a chair, summon your beverage of choice, and join us as we embark on this fantastical journey.

An Explosion of Fantasy on the Bookshelves

First, let’s pay a visit to the realm of literature. It’s hard to talk about epic fantasy without tipping our hats to the unstoppable force that is Brandon Sanderson.

Sanderson churns out novels with the same speed that a poorly trained wizard casts fireballs (and with far less collateral damage). His “Stormlight Archive” series has given us a world so epic it makes the Himalayas look like a minor inconvenience.

Then we have the fantastical work of N.K. Jemisin and her ‘Broken Earth’ trilogy. Her powerful prose and intricate plotting rocked the literary world. Not only did she bag the prestigious Hugo Award for each book in the trilogy, a first for any author, but she also managed to subtly weave poignant social commentary into her lore. She has, quite literally, redefined the landscape of fantasy.

And, of course, there’s George R. R. Martin. His ‘A Song of Ice and Fire’ series, a veritable ‘War and Peace’ of Westeros, continues to delight and horrify us in equal measure. (Of course, this mention is contingent upon the long-awaited sixth book ‘The Winds of Winter’ ever seeing the light of day. No pressure, George, but the kettle’s been on for a while now).

And Sarah J. Maas burst onto the scene like a unicorn on roller-skates with her ‘Throne of Glass’ and ‘A Court of Thorns and Roses’ series. (I always want to see what A Court of Guns and Roses might look like, but after this year’s Glastonbury performance it might not be the best idea). Maas’s enticing mix of fantasy, romance, and strong female leads has inspired a new generation of readers to pick up the mantle and read past their bedtime.

A New Chapter: Indie Heroes of the Epic Fantasy Realm

If the corporate publishing landscape is akin to a neatly trimmed English garden, then indie publishing is the wild, untamed forest just beyond, rife with the unknown and bursting with possibilities.

With the rise of the digital age, an ever-growing crop of talented wordsmiths have bravely ventured into this wilderness, bestowing upon us a treasure trove of self-published epic fantasies.

Leading the charge is none other than Michael J. Sullivan with his ‘Riyria Revelations’. If you’ve not had the pleasure, Sullivan’s series offers a refreshing brew of classic high fantasy with a generous dash of modern sensibility. His dynamic duo, Royce and Hadrian, steal more than just gold.

Then there’s Anthony Ryan, who exploded onto the scene with ‘Blood Song,’ the first book in the ‘Raven’s Shadow’ series. Ryan’s tale, as gritty as a winter’s day in Grimsby, is proof positive that you don’t need corporate backing to win over fans. His success caught the attention of Penguin Books, who re-published his work, thus transforming this self-published gem into a mainstream marvel.

We mustn’t overlook Will Wight’s ‘Cradle’ series, an ingenious blend of epic fantasy and xianxia (a Chinese genre focusing on cultivation of moral and spiritual virtues). As innovative as a solar-powered teapot, Wight demonstrates the creative liberties of indie publishing, delivering tales unfettered by conventional genre expectations and marketing executives.

Amanda Hocking, the queen of paranormal romance, took a leap into the epic fantasy genre with her ‘Trylle Trilogy.’ Hocking proves that when it comes to indie publishing, not even the sky’s the limit. Why stop at the sky when there are entirely new worlds to explore?

Of course, indie publishing isn’t as easy as a Sunday morning lie-in. It requires the tenacity of a determined terrier and the entrepreneurial spirit of Richard Branson.

These authors aren’t just writing, they’re also acting as their marketers, and, on occasion, therapists.

 It’s a challenging path, but as our highlighted authors prove, it can lead to rewards as satisfying as the perfect biscuit dunk.

A Feast for Our Telly Boxes

Shifting our gaze from ink and paper, let’s flick on the telly and cast our eyes towards the fantasy genre’s successful infiltration of the small screen.

Let’s start with the behemoth in the room, or rather, the dragon on the screen. ‘Game of Thrones’ gave fantasy television a jolt stronger than a double espresso on a Monday morning. George R. R. Martin’s deliciously intricate storylines, coupled with HBO’s willingness to shell out more gold coins than Smaug’s treasure hoard, resulted in a series that captivated a global audience and redefined fantasy on television.

Not to be outdone, Netflix threw its hat in the ring with ‘The Witcher,’ based on Andrzej Sapkowski’s series of novels. Henry Cavill’s portrayal of the grizzled Geralt of Rivia became an overnight sensation, as did his catchy tune, ‘Toss a Coin to Your Witcher.’ Who knew monster hunting could have such a rousing soundtrack? The series adeptly balanced monster-of-the-week plots with a grand overarching narrative, and the production value was higher than a gentleman’s top hat.

Amazon, too, is keen on joining this magical melee with its ‘Lord of the Rings’ prequel series and the adaptation of Robert Jordan’s ‘The Wheel of Time’. Between you, me, and the lamppost, these ambitious projects are about as secretive as the Queen’s pudding recipe. Yet, the mere whiff of these beloved epics getting the screen treatment has fans twitching with excitement.

Fantasy TV has indeed proven itself as popular as a dog in a park full of squirrels, much to the delight of book lovers everywhere. The magic of these sprawling epics, replete with dragons, witches, and an alarming number of medieval political squabbles, has found a comfortable new home in our living rooms. Just be sure to keep your remote handy – there are endless worlds to explore, all from the comfort of your favourite armchair. What an age to be a fantasy lover, indeed!

A Silver Screen Spectacle

Just as the heartiest English breakfast isn’t complete without a slather of HP sauce, our tour of the golden age of epic fantasy wouldn’t be whole without a tip of the hat to its cinematic counterparts.

With bated breath, we’ve watched our favourite realms spring to life, one painstakingly rendered CGI dragon at a time.

First off, we must pay our respects to the grand-daddy of them all – ‘The Lord of the Rings’. Peter Jackson’s masterful adaptation of J.R.R. Tolkien’s epic saga broke records, hearts, and the established notion that “those fantasy tomes are unfilmable, old chap.”

Following in Bilbo’s furry footsteps, the ‘Harry Potter’ series proved that fantasy wasn’t just for us old-timers. J.K. Rowling’s charming blend of magic and quintessentially British boarding school life bewitched a generation, and the movies broadened that spell. Hogwarts, with its shifting staircases and genial ghosts, became as real as Buckingham Palace, just with fewer corgis and more house-elves.

Of course, not every cinematic expedition into fantasy is a skip through the Shire. Take the ‘Eragon’ film, for instance. As the saying goes, “the book was better,” and never have truer words been spoken. The film was about as well-received as a fox in a henhouse, proving that bringing an epic fantasy to life requires more than a few spells and a CGI dragon.

In recent years, Guillermo del Toro’s ‘Hellboy’ films and Duncan Jones’s ‘Warcraft’ have shown us that fantasy films can wear many hats, from dark comedy to high-stakes action. ‘Warcraft,’ though it didn’t charm critics, nevertheless proved a hit with the fans. After all, who could resist the lure of oversized armour and epic griffin flights?

These days, we fantasy buffs are spoilt for choice. Between the magic-infused majesty of ‘Fantastic Beasts and Where to Find Them’ and the whimsical journey of ‘Stardust,’ it’s clear that epic fantasy is alive and well in the cineplex.

Video Games: An Interactive Epic

As we continue our magical mystery tour of the golden age of epic fantasy, it’s only proper we take a side quest into the vibrant realm of video games.

First, we must traverse the snowy landscapes of Bethesda’s ‘The Elder Scrolls V: Skyrim’. With its stunning open-world design and dragon-shouting (Fus Ro Dah, anyone?), it’s been as big a hit as the Beatles. Players find themselves immersed in a world teeming with lore, dragons, and an alarming number of cheese wheels. Whether you’re bashing trolls or simply enjoying a breathtaking aurora over the mountains, ‘Skyrim’ offers an epic fantasy adventure as expansive as the London Underground, but with fewer delays.

Then there’s ‘The Witcher 3: Wild Hunt’, CD Projekt Red’s gloriously gritty adaptation of Andrzej Sapkowski’s novels. As Geralt of Rivia, players navigate a beautifully crafted world, grappling with beasties and moral conundrums in equal measure. The game’s rich narrative, engaging side quests, and dynamic combat system have been lauded as more satisfying than a perfectly brewed cup of English tea. A tip for the uninitiated: Beware the drowners and always – always – play Gwent.

Let’s not overlook ‘World of Warcraft’, an online universe so compelling, it’s been the cause of many a missed social engagement. Even after several years, its allure remains as potent as a nicely matured Stilton. The intricate lore, the sprawling world, the sense of community — it’s as thrilling as a surprise holiday, but with dragons.

For those with a penchant for intricate strategy, there’s ‘Dragon Age: Inquisition’. BioWare’s gem presents a world where player choices shape the narrative. Do you save the village from a marauding horde, or let it burn? It’s like being in your very own epic fantasy novel but without the risk of paper cuts.

Indeed, the appeal of these games extends beyond their fantastic visuals and engaging gameplay. They offer an immersive, interactive experience that’s as close as one can get to actually living in a fantasy realm, without the inconvenience of having to polish one’s own armour.

A Song of Ice and Fire: Epic Fantasy’s Influence on Popular Music

No grand journey through the golden age of epic fantasy would be complete without an exploration of its influence on the music scene.

The modern metal scene has been particularly bewitched by epic fantasy. Bands like Blind Guardian have entire albums dedicated to Tolkien’s Middle-earth, while others, like Burzum and Summoning, delve into the darker aspects of the genre. Their music is as grandiose and dramatic as the tales that inspired them, perfect for those moments when life calls for a bit more oomph.

And, of course, who could forget the hit TV show soundtracks? Ramin Djawadi’s ‘Game of Thrones’ score, haunting and heroic in equal measure, not only enhances the on-screen action but has found a life of its own in popular culture. You can’t swing a direwolf these days without hearing someone humming ‘The Rains of Castamere’ or ‘Light of the Seven.’

Music artists, just like authors, have seized upon the imagery, themes and mythology of epic fantasy to infuse their work with a sense of grandeur and adventure. Be it through lyrics, album artwork, or sonically through the music itself, the influence of epic fantasy reverberates throughout today’s music landscape.

And let’s face it, there’s something utterly epic about belting out a power ballad infused with references to dragon-fire and elven lore.

Beyond the Realms of Fantasy: Epic Fantasy’s Impact on Popular Culture

As our journey through the golden age of epic fantasy draws to a close, it’s time to take a step back and admire the spectacular view.

From the bound pages of a well-worn tome to the digital reaches of a role-playing game, it’s clear that epic fantasy has permeated more than just our bookshelves, TV screens, cinemas, and consoles. It has, in fact, seeped into the very fabric of our popular culture.

The surge of interest in epic fantasy has had a profound impact, like a truly magnificent cup of tea on a rainy afternoon.

Suddenly, it’s no longer the preserve of the niche and the nerdy. The age-old stereotypes associated with fantasy enthusiasts—you know, the image of a bespectacled recluse in a dragon-emblazoned T-shirt—have been banished to the shadowy corners of ignorance.

Nowadays, confessing your love for fantastical realms is as normal as complaining about the weather.

TV series like ‘Game of Thrones’ have transformed fantasy into a hot topic at the water cooler, with office chat just as likely to revolve around the latest dragon sighting as last night’s football match.

 Harry Potter, that bespectacled wizard boy, has charmed our language, adding phrases like ‘Muggle’ and ‘Quidditch’ to our lexicon as easily as a ‘please’ and ‘thank you’.

On the fashion front, elven jewellery and wizarding robes have sashayed from the realms of cosplay into everyday street wear.

Don’t be surprised if your next date shows up sporting a T-shirt emblazoned with a witty Game of Thrones pun or if your local fast-fashion store showcases a line of Witcher-inspired accessories.

Even our food hasn’t escaped the fantasy influence. From Butterbeer to lembas bread, we’ve developed a taste for fictional fare.

Suddenly, hosting a ‘Hobbit’-themed dinner party seems as reasonable as a Sunday roast.

And who among us hasn’t yearned to sample a flagon of ale at The Prancing Pony or indulge in a Witcher-style feast?

What this all boils down to is this: epic fantasy has transformed from a secluded genre into a cultural powerhouse.

It has become a shared language, a social glue that binds us together in our quest for the magical, the mythical, the marvellous.

The golden age of epic fantasy has spun tales that entertain, yes, but it has also fostered communities, sparking connections across borders and cultures. It’s made the world a touch more magical and a whole lot more fun.

So, whether you’re a reader, a viewer, a gamer, a self-published author or simply someone who enjoys wearing a Gandalf-inspired hat, let’s raise a glass (or rather, a goblet) to the golden age of epic fantasy.

Its influence has made our reality a little more fantastical.

The post From Game of Thrones to Skyrim: Are We in a Golden Age of Epic Fantasy? first appeared on Jon Cronshaw.

The Charm of the Rogue: Unpredictable Characters in Fantasy

Fantasy is filled with brave heroes, wicked villains, and wise old mentors.

But some of the most memorable characters are the rogues—those lovable scoundrels and rapscallions who charm their way into readers’ hearts.

Who doesn’t love a witty, wildcard rule-breaker?

Let’s take a look at what makes fantasy rogues so dashingly appealing.

What is a Rogue?

While definitions vary, a fantasy rogue is generally a character who lives by their wits, thumbing their nose at laws and social conventions.

They usually have criminal tendencies, whether picking pockets, running scams, or just generally causing a ruckus.

Think Han Solo rather than lawful good paladins.

Rogues are notoriously unpredictable.

You never know if they’ll swoop in to save the day or make off with the loot.

Their moral compasses are often more flexible than your average hero’s.

But their quips are sharper than the daggers they have hidden up their sleeves.

Why Readers Love Rogues

They’re exciting – Rogues thrive on breaking rules and causing mischief, whether through thievery, assassinations, scams, or just general troublemaking. Their antics and scheming often directly drive the plot forward in unpredictable and kinetic ways. Rogues keep readers on their toes, never knowing what kind of havoc they will wreak next.

They’re funny – Sharp wits and razor-edged sarcasm are signature traits for many rogues. They constantly trade barbs with friends and foes alike, bringing much-needed levity and humor to balance out the seriousness of traditional stoic fantasy heroes. Their cheeky quips and dirty jokes act like spice, seasoning an adventure tale with delightful irreverence.

They’re capable – Rogues rely on their resourcefulness and varied skillsets rather than brute magical or physical strength to survive and succeed. Often starting from underdog positions, a rogue’s cleverness, adaptability, and expertise in areas like thievery, assassination, con artistry, and more allows them to punch far above their weight class. It’s immensely satisfying seeing a rogue turn the tables through creativity rather than combat prowess.

They’re relatable – Rogues in fantasy often operate outside of mainstream society, fighting against corrupt systems and unjust rulers. Their moral flexibility and willingness to question authority makes them more accessible and understandable protagonists than the archetypal lawful good knight errant. Readers recognize the rogue’s roguishness as a product of circumstancxes, rooting for the scrappy antihero.

They’re charming – For all their shady morals, rogues often have an underlying heart of gold that emerges through charming personality quirks and relationships that humanize them. Their care for fellow misfits and outcasts can tug at reader heartstrings. And who can resist falling for a scoundrel with a soft spot? The appeal of redeeming a charming rapscallion makes rogues hard to resist.

Fantasy’s Finest Rogues

From thieves to assassins, pirates to con artists, here are some of fantasy’s most iconic roguish characters:

Locke Lamora (Gentleman Bastard Sequence) – This saboteur leads a band of thief protagonists in Lynch’s Ocean’s Eleven-esque fantasy heist series.

Celaena Sardothien (Throne of Glass) – Assassin turned royal champion Celaena is fiercely independent and not afraid to break rules. A YA fantasy favourite.

Royce and Hadrian (Riyria Revelations) – This thief/fighter duo banters their way through Sullivan’s adventures, stealing from the rich and meddling in conspiracies.

Tyrion Lannister (A Song of Ice and Fire) – The wisecracking “Imp” is one of few characters whose wit can match his intellect in Martin’s gritty fantasy saga.

Kvothe (The Kingkiller Chronicles) – With his magical talents, intellect, and roguish disregard for authority, Kvothe charms his way through Rothfuss’ epic trilogy.

Jalan Kendeth (Red Queen’s War) – Mark Lawrence portrays an enjoyably amoral antihero forced to be brave despite his cowardly instincts.

Vlad Taltos (Dragaera) – Assassin, mob boss, and sorcerer Vlad lives by his wits in Brust’s long-running series of swashbuckling fantasy adventures.

FitzChivalry Farseer (The Realm of the Elderlings) – Hobb’s royal bastard turned assassin has flexible morals yet an underlying heart of gold.

Gen (The Queens of Renthia) – No rogues gallery would be complete without a smart-mouthed thief. Gen steals scenes (among other things) in Dennard’s nature-based fantasy series.

Binti (Binti) – Math genius and intergalactic adventurer Binti hacks, tinkers, and tricks her way through Okorafor’s afrofuturist sci-fi/fantasy series.

Kaz Brekker (Six of Crows) – Leader of a gang of outcasts, Kaz is cunningly ruthless in Bardugo’s YA heist fantasy inspired by the Dutch Golden Age.

Wydrin (The Copper Promise) – Heavily tattooed sell-sword Wydrin is tough, hilarious, and more than a bit amoral in Jen Williams’ dark yet cheeky epic fantasy trilogy.

Locke (Sorcerer to the Crown) – Sharp-witted, magic-wielding Locke disregards rules of race and gender amid 19th century magical politics in Cho’s witty fantasy of manners.

Eloise (His Secret Illuminations) – Scribe, forger, seducer, spy – Eloise plays many roles in Winters’ Renaissance-inspired fantasy full of political intrigue.

Levisor (We Ride the Storm) – De Castell’s former revolutionary wields wit and wiles as weapons against oppressive regimes in this original secondary world fantasy.

So whether they’re carrying out elaborate heists, trading insults with enemies, or just being lovable jerks, roguish characters bring dashing flair and relatable humanity to fantasy tales.

We can’t get enough of these witty rabble-rousers – here’s hoping for many more in the years to come.

Any favourite fantasy rogues or recommendations for great roguish reads?

Let me know in the comments.

The post The Charm of the Rogue: Unpredictable Characters in Fantasy first appeared on Jon Cronshaw.

The Anti-Hero’s Journey: From Ancient Epics to Modern Fantasy

Fantasy literature has long been known for its iconic heroes and valiant champions, but it is the rise of the anti-hero that has reshaped the genre’s landscape.

Anti-heroes, flawed and morally ambiguous protagonists who defy conventional notions of heroism, have emerged as captivating figures who challenge traditional storytelling tropes.

Today, we’ll trace the evolution of anti-heroes in fantasy literature, from their humble beginnings to their modern iterations.

You’ll discover the reasons behind their appeal and the profound impact they’ve had on shaping the genre.

The Roots of the Anti-Hero

The origins of the anti-hero can be found in ancient mythologies and epic poems.

Characters like Achilles from Homer’s “The Iliad” and Beowulf in the eponymous Old English epic displayed traits that blurred the lines between heroism and selfish ambition.

These early examples laid the foundation for the anti-hero archetype, showcasing characters whose actions were driven by personal motivations rather than selfless heroism.

The Influence of Classic Literature

The 19th and early 20th centuries witnessed the emergence of anti-heroes in classic literature.

One notable example is Captain Ahab from Herman Melville’s “Moby-Dick.”

Ahab’s relentless pursuit of the great white whale highlighted his obsession and descent into madness, presenting readers with a complex and morally ambiguous character.

Another significant work that shaped the anti-hero archetype is Fyodor Dostoevsky’s “Crime and Punishment.”

The protagonist, Raskolnikov, commits a heinous crime and grapples with guilt and existential crises throughout the narrative.

Dostoevsky’s exploration of the human psyche and the consequences of immoral actions paved the way for more introspective and psychologically complex anti-heroes.

The Rise of the Modern Anti-Hero

The modern era saw the emergence of anti-heroes who challenged societal norms and traditional notions of heroism.

One groundbreaking work was Michael Moorcock’s “Elric of Melniboné” series, which began in the 1960s.

Elric, a frail and morally conflicted albino sorcerer-king, wielded a malevolent sword and battled against fate. Moorcock’s creation showcased a tragic anti-hero who struggled with his own dark impulses, making him a deeply flawed and captivating protagonist.

Frank Herbert’s “Dune” series, starting in the 1960s, introduced readers to Paul Atreides, a messianic figure whose actions were marked by ambiguity and the complex interplay of power, politics, and destiny.

Paul’s moral dilemmas and his journey from reluctant hero to potential tyrant exemplified the shifting dynamics of the anti-hero archetype.

The Anti-Hero in Contemporary Fantasy

Contemporary fantasy literature has seen a proliferation of anti-heroes who defy expectations and subvert traditional hero tropes.

Authors like George R.R. Martin, with his “A Song of Ice and Fire” series, and Joe Abercrombie, with his “First Law” trilogy, have made notable contributions to the evolution of anti-heroes.

Martin’s characters, such as Tyrion Lannister, Jaime Lannister, and Sandor Clegane, embody complex moralities, demonstrating that heroism and villainy can exist within the same individual.

Abercrombie’s protagonists, like Logen Ninefingers and Glokta, navigate treacherous worlds and struggle with their own demons, challenging readers’ perceptions of heroism and redemption.

The Appeal of the Anti-Hero

The enduring appeal of anti-heroes lies in their relatability and their exploration of moral grey areas.

Their flaws and struggles mirror our own, offering a more nuanced and realistic portrayal of human nature.

Anti-heroes captivate readers with their complexity, as they confront their own dark impulses, face internal conflicts, and grapple with the consequences of their actions.

Anti-heroes also provide a fresh perspective on traditional fantasy narratives.

By subverting established hero tropes, they inject unpredictability and a sense of realism into fantastical worlds, making the stories more engaging and thought-provoking.

The evolution of anti-heroes in fantasy literature has transformed the genre, challenging traditional notions of heroism and morality. From ancient epics to modern sagas, anti-heroes have emerged as captivating and complex figures who reflect the shades of grey in human nature.

By delving into their flaws, struggles, and personal journeys, these protagonists have reshaped the genre’s narrative landscape and deepened our understanding of what it means to be a hero.

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The post The Anti-Hero’s Journey: From Ancient Epics to Modern Fantasy first appeared on Jon Cronshaw.

Diving into the Magic: An Author Interview with Fantasy Writer R.E. Sanders

Today, I’m delighted to introduce a captivating conversation with fantasy author R.E. Sanders.

From humble beginnings inspired by the likes of J.R.R. Tolkien and Michael Moorcock, Sanders has crafted a unique blend of intricate world-building, deeply rooted in historical and cultural influences.

With his novel ‘A Path of Blades’ serving as a vibrant showcase of his storytelling prowess, Sanders dives deep into the realms of internal conflict and human resilience.

In this interview, Sanders reveals his creative process, his love for a good ‘what if’ question in world-building, and even his preference for dragons over unicorns.

From mythical creatures to tackling real-world issues, Sanders explores it all.

So whether you’re an ardent fan or new to his works, buckle up for an exciting journey into the mind of this fantasy luminary.

What inspired you to start writing in the fantasy genre?

My inspiration to write is driven by my love of reading. As a child and then a teenager I read voraciously and the defining moment was when I took my dad’s battered copy of ‘The Fellowship of the Ring‘ down from the shelf. The huge scope of the  world and the stories blew my mind, and led me to read more fantasy; Eddings, Gemmel, brooks, Morwood, Moorcock, Jordan and others. It sparked my imagination and soon I began to create my own worlds where the grand, dramatic stories I wanted to tell could take place.

How do you approach world-building in your stories?

I start with broad, culture-defining questions, sometimes in a ‘what if’ kind of way (like, ‘what if there had been no Roman empire…what would medieval Europe look like?’). The ideas that flow from this lead me to more detailed questions about society, history and organisation. Answering these start to build nations and continents as concepts. I put a lot of focus on history, to the extent that for many of my fantasy countries I’ve written legends, myths and historical texts as backstory. The last level of detail is to imagine myself arriving in the particular location and picturing the details that stand out; the differences that make that place rich, interesting and unique. I want it all to feel real.

Can you walk us through your writing process?

For, ‘A Path of Blades’ the seed was sown by an earlier novella (Tann’s Last Stand). At the conclusion of that story I felt that two of the characters (Ingvar Omarsson and Ammie Cowl) left a lot of unanswered questions about their backstory. A Path of Blades was the tale I told myself to fill in the detail on that story. Once I had the basic outline I just started writing! The tale flowed and the characters developed as I wrote more, sometimes just as I had planned but other times with unexpected turns! I tend to outline loosely and write quite freely within that – I like the sense of overall direction alongside a freedom to be spontaneous and creative.

Would you survive in your own fantasy world?

Tricky! It would depend where and when! Danger ebbs and flows in the world, so I think if I was around during the events of A Path of Blades I’d have a good chance. However, I’m working on a series in the same world where the stakes are about to be raised for everyone. No-one will be safe.

What themes do you explore in your work?

Although I write fantasy I try to confront real-world issues as I write. A Path of Blades asks questions about how people deal with internal conflicts; duty against morality, friendship against family, peace against action.

What do you consider to be your biggest influences as a writer?

I draw inspiration from everything that inspires me; culture, history, landscape and the natural world. I can no longer watch TV documentaries without a notepad nearby! Specific influences are other fantasy authors like I’ve mentioned, but also historical fiction authors such as Cornwell and Iggulden. I also aspire to be able to tell a story with the drama, flair and excitement of a Marvel movie, but I’m not sure it’s very cool to admit that!

What’s the strangest thing you’ve had to research for your stories?

I did a bit of reading about grave digging. But who hasn’t done that?

What do you hope readers take away from your stories?

I like to think there is a thread of hope that runs through my stories. The characters go through dark times, but they come out the other side changed, but not broken. They lose much but they learn what is really important. Relationships fail but some are strengthened.

Would you rather have a pet dragon or a unicorn, why?

I’d have a pet dragon because it would be much more practical for trips out the the beach for a barbecue.

If you could have any magical ability, what would it be?

In A Wheel of Time, Rand Al’Thor learns how to make gateways in the air to travel instantly anywhere in the world. I can’t help think I could make good use of that. Reducing my carbon emissions, if nothing else.

If you were stuck on a deserted island with one of your characters, who would it be and why?

My stories include a Dwarf character called Klay Garrant. He can make a fire literally anywhere and always has a supply of food. I think he’d be the best bet.

What would you name your pet dragon?

Fluffles, Destroyer of Worlds.

Where is the best place to start reading your work?

A Path of Blades is a good example of my style and a small window on the world that I will gradually reveal in my subsequent books.

Author bio

Rob is a fantasy author based in the UK. A degree in archaeology and a fascination with British history has led him to create a world of his own in which to spin tales and create adventures.

Find Rob online

Website: resanderswrites.wixsite.com/r-e–sanderswrites

Twitter: twitter.com/RobSanders56

The post Diving into the Magic: An Author Interview with Fantasy Writer R.E. Sanders first appeared on Jon Cronshaw.

Unlocking the Magic: Exploring the World of Coming-of-Age Fantasy

Welcome to the enchanting world of coming-of-age fantasy!

In this post, you’ll discover the heart of this genre, exploring why readers are so drawn to these tales, and highlighting the top books and authors that have defined it.

And as a special treat, don’t miss the chance to claim your free Ravenglass Universe starter library when you join our newsletter today.

What is Coming-of-Age Fantasy?

Coming-of-age fantasy is a subgenre of fantasy literature that focuses on the growth and development of a young protagonist.

The stories often centrr around themes of self-discovery, responsibility, and the transition from childhood to adulthood.

With the backdrop of a magical world, these narratives resonate with readers as they follow the protagonist’s journey, both physical and emotional.

Themes and Subjects of Coming-of-Age Fantasy

Coming-of-age fantasy stories are rich in themes that explore the human experience. Common themes include:

Self-Discovery: As the protagonist navigates their world, they often discover hidden talents, powers, or abilities that define their identity and influence their destiny.

Friendship: The bonds formed with companions on the journey are integral to the protagonist’s growth, teaching them about trust, loyalty, and sacrifice.

Responsibility: As they mature, the protagonist learns to shoulder the weight of their newfound powers and the expectations placed upon them.

Conflict: Coming-of-age fantasy tales often involve battles against external forces, such as evil sorcerers or malevolent creatures, as well as internal struggles within the protagonist’s own heart and mind.

Good vs. Evil: The protagonist discovers moral ambiguity and navigates the complexities of right and wrong, light and dark.

Love: The protagonist experiences various forms of love—familial, romantic, platonic—that shape their character and choices.

Choice: At critical junctures, the protagonist must make difficult decisions that determine their fate and the fate of others.

Identity: The protagonist undertakes a journey of self-discovery to determine who they are and who they want to become.

Independence: The protagonist gains freedom from authority figures or home environments, allowing them to think and act for themselves.

Courage: Finding bravery in the face of fear and danger is central to the protagonist’s triumph over adversity.

Top Coming-of-Age Fantasy Books

Some of the most celebrated books and authors in coming-of-age fantasy include:

The Hobbit by J.R.R. Tolkien:

This classic novel follows the journey of Bilbo Baggins, a young hobbit who discovers his own courage and resourcefulness as he embarks on a perilous quest.

Harry Potter series by J.K. Rowling:

This beloved series chronicles the life of young wizard Harry Potter as he navigates the magical world of Hogwarts, learning about friendship, love, and the power of courage.

His Dark Materials trilogy by Philip Pullman:

A thought-provoking series that explores themes of self-discovery, morality, and the nature of consciousness, as young Lyra Belacqua sets out on an epic journey through parallel worlds.

The Name of the Wind by Patrick Rothfuss:

This captivating novel follows the life of Kvothe, a legendary figure who recounts his rise from a lowly orphan to a renowned magician and adventurer.

A Wrinkle in Time by Madeleine L’Engle:

A moving story of Meg Murry, an awkward teen girl who embarks on an adventure across dimensions to find her missing father.

Sabriel by Garth Nix:

Sabriel, a young necromancer, must venture into the perilous Old Kingdom to rescue her father from the Land of the Dead.

The Belgariad by David Eddings:

Garion, an orphaned farm boy, discovers his destiny in a quest to retrieve a powerful orb and fulfill an ancient prophecy.

A Wizard of Earthsea by Ursula K. Le Guin:

The story of Ged, a sorcerer who must journey far from home to escape the darkness he unleashed into the world.

The Rithmatist by Brandon Sanderson:

Joel, a non-magical student at a school for Rithmatists–those who can animate chalk drawings and use them for defense–gets caught up in a dangerous mystery.

Assassin’s Apprentice by Robin Hobb:

This novel follows the life of FitzChivalry Farseer, a royal bastard who is apprenticed to become an assassin in the Six Duchies. As Fitz navigates court intrigue and the skills of his grim trade, he also struggles to find his place in a world that does not always welcome him.

Now that you’ve been introduced to the captivating world of coming-of-age fantasy, it’s time to embark on your own adventure.

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Don’t miss this exclusive offer—claim your free books now and let the adventure begin!

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The post Unlocking the Magic: Exploring the World of Coming-of-Age Fantasy first appeared on Jon Cronshaw.

33 Must-Read Sword and Sorcery Books for Adventure Seekers

If you’re partial to a spot of swashbuckling, a dash of dark magic, and a generous helping of gritty heroism, then you’ve probably dipped your toes into the tempestuous seas of sword and sorcery.

You might even have a favourite battered paperback, its spine creased from countless re-reads, tucked away somewhere safe.

This genre of fantasy, oft-clad in a loincloth and waving a sizeable chunk of sharpened metal, has a storied history that’s as colourful as the characters it portrays.

But before we delve into the 33 essential reads, let’s journey back to the genre’s roots, shall we?

Buckle up for a whirlwind tour of testosterone, tarnished heroes, and timeless tales.

Pulp Fiction’s Barbaric Birth

Our tale begins in the rough-and-ready world of 1930s pulp magazines, where the gritty, often morally ambiguous world of sword and sorcery was first birthed.

The term itself was coined by Fritz Leiber, in response to a challenge from Michael Moorcock, another luminary of the genre.

But let’s not get ahead of ourselves, there’s plenty of blood to spill first.

Our first stop is the Hyborian Age, the playground of Robert E. Howard’s Conan the Barbarian.

With his rippling muscles, disdain for witchcraft, and tendency to solve problems with a broadsword, Conan embodied the genre’s defining characteristics. He was no knight in shining armour, more like a brigand in a blood-stained loincloth.

And readers loved him for it.

The pulp era was a veritable breeding ground for such characters. Amidst the lurid covers of magazines like ‘Weird Tales,’ they battled monsters, rescued (and occasionally abducted) maidens, and got up to all sorts of sword-swinging, sorcery-slaying shenanigans.

From Pulp to Paperback

The pulps may have birthed the genre, but it was the paperback revolution of the 1960s and 70s that really spread the seeds of sword and sorcery across the globe.

This was the era of Michael Moorcock’s Elric of Melniboné, a somewhat anaemic-looking bloke with a cursed sword that devoured souls.

Elric was the polar opposite of Conan—frail, introspective, and reliant on sorcery (and his soul-sucking sword) to survive.

He was a new type of hero for a new age, typifying the shift towards more morally complex characters.

Then, of course, there was Fritz Leiber’s Fafhrd and the Gray Mouser series.

These two roguish heroes, one a burly barbarian and the other a nimble thief, navigated a grimy, dangerous world full of dark magic and dangerous women.

It was a world where the monsters were often human, and the heroes were just trying to make a dishonest living.

The Modern Age of Grizzled Heroes

Fast forward to the present day, and sword and sorcery is still going strong, although perhaps it’s had a few pints, put on a bit of weight, and developed a slightly cynical outlook on life.

Modern authors have taken the genre’s foundations and built upon them, creating worlds that are darker, grittier, and dripping with even more gore.

Take Joe Abercrombie’s ‘The First Law’ series, a work of grimdark fiction as cheerful as a funeral in a rainstorm.

Its characters are deeply flawed, its world is cruel, and its magic is as likely to kill you as save you.

It’s sword and sorcery that’s been dragged through a hedge backwards, and it’s bloody brilliant.

Or consider Scott Lynch’s ‘The Lies of Locke Lamora.’

It’s a tale of thieves and con artists plying their trade in a city that makes the dens of the pulps look like a holiday resort.

It’s a world where the swords are sharp, the wit is sharper, and the sorcery…well, let’s just say you wouldn’t want to be on the wrong end of it.

Looking to the Future

Sword and sorcery has come a long way since the days of pulp magazines, but its heart remains the same.

It’s a genre that relishes in the raw, the rough, and the real.

It’s about heroes who aren’t always heroic, magic that’s as dangerous as it is powerful, and worlds where life is cheap and survival is an art.

It’s a dark, dangerous dance—a bloody ballet of blades and black magic.

And we wouldn’t have it any other way.

33 Recommended Sword and Sorcery Novels

If you’re looking for fantasy tales full of daring heroes, arcane magic, and thrilling adventures, sword and sorcery stories never fail to deliver action-packed escapism.

Here are 33 page-turning sword and sorcery novels everyone new to the genre should read:

Conan the Barbarian by Robert E. Howard

The iconic series that defined sword and sorcery featuring everyone’s favorite loincloth-wearing Cimmerian warrior.

Jirel of Joiry by C. L. Moore

Groundbreaking tales of the first female sword and sorcery heroine Jirel and her battles in a demon-haunted medieval France.

Servant of the Underworld by Aliette de Bodard

Sword and sorcery inspired by Aztec mythology with an engrossing mystery.

Throne of the Crescent Moon by Saladin Ahmed

Excellent sword and sorcery in a Middle Eastern inspired setting featuring a ghul hunter protecting the people.

The Amethyst Sword by Fleur Adcock

A lyrical and imaginative tale of warriors, wizardry and Celtic mythology.

Who Fears Death by Nnedi Okorafor

An original post-apocalyptic African sword and sorcery adventure.

The Copper Promise by Jen Williams

An action-packed epic following mercenaries, dragons, and ancient powers.

The Barbed Coil by J. V. Jones

A gritty tale of battle mages and political intrigue.

The Iron Dragon’s Daughter by Michael Swanwick

A subversive, contemporary take on sword and sorcery tropes.

The Cloud Roads by Martha Wells

Soaring dragon rider adventure perfect for fantasy fans.

The Fox Woman by A. Merritt

Classic Asian folklore inspired sword and sorcery.

Sister Light, Sister Dark by Jane Yolen

Celtic-flavoured sisterly conflicts amid mythical battles.

The Sword Woman by Robert E. Howard

Historical sword and sorcery set in the Dark Ages.

The Pit Dragon Trilogy by Jane Yolen

Young adult dragon rider adventure.

Daughter of the Empire by Raymond E. Feist

Political intrigue in a fantasy Asian-inspired setting.

Mirrorscape by Mike Wilks

A funhouse mirror world of swords and sorcery.

Alif the Unseen by G. Willow Wilson

A modern cyberpunk meets Arabian Nights tale.

The God Stalker Chronicles by P.C. Hodgell

Demon hunting swordswoman in an intricate world.

Throne of Glass by Sarah J. Maas

Action-packed YA blending epic fantasy and sword and sorcery.

Cloudbearer’s Shadow by J. Kathleen Cheney

Asian-inspired magic and dragons.

Redemption in Indigo by Karen Lord

A witty Caribbean storytelling vibe flavors this magical quest.

The Achtung Archipelago by Nick Mamatas

Subversive WWII alternate history mixed with sword and sorcery.

Starless by Jacqueline Carey

Epic journeys and demonic villains galore.

The Dragon’s Legacy by Deborah A. Wolf

Character-driven sword and sorcery with clan intrigue.

Throne of the Five Winds by S.C. Emmett

A unique Vietnamese fantasy world.

The Stone Knife by Anna Stephens

Grimdark sword and sorcery with imaginative worldbuilding.

The Mask of Mirrors by M.A. Carrick

Political intrigue mixed with gritty action.

Master of Poisons by Andrea Hairston

Majestic afrofuturist fantasy.

Empire of Sand by Tasha Suri

Indian-inspired tale of magics, dance, and destiny.

Black Leviathan by Bernd Perplies

Swashbuckling fantasy on the high seas.

Sorcerer to the Crown by Zen Cho

Magic and manners in Regency England with a dash of sword and sorcery.

The Tiger’s Daughter by K. Arsenault Rivera

Epic fantasy inspired by Mongolian history.

The Red Wolf Conspiracy by Robert V.S. Redick

Nautical fantasy adventure.

What are your favourites? Share your recommendations in the comments.

The post 33 Must-Read Sword and Sorcery Books for Adventure Seekers first appeared on Jon Cronshaw.